Accidental Spring

Accidental Spring
"Accidental Spring" This began as the background for painting other papers, but became something else!

Friday, April 6, 2012

Part II coming... just a glitch in the brain here

Two glitches, perhaps.  The first is my writing class.  We have assignments in memoir that are things like "Tell a story using primarily dialogue in no more than 379 words, including the title." Another was setting a scene in 401 words. Character was, I believe, 392 words. And each assignment is supposed to stand alone.

Apparently, I'm not particularly good at this. I am working very hard on these assignments, but I choose too big a subject and get in a twist, I guess. I get one reaction from the class and another from the instructors. Now they are NOT at all nasty. Their critiques always include good things, and they suggest. I am learning a great deal about working hard on looking at what works and what doesn't. The problem for me is that these assignments are alien for me. I'm wordy. No doubt about that. However, when I read, I LIKE wordy! (We are not supposed to use exclamation points, adverbs, or adjectives. I used one exclamation point because, I said, when someone shouts, an exclamation point can say that instead of the word "shout." They actually said my exclamation point WAS correct in that situation. So I got one of my three "lifetime" exclamation points.)  !!!!

What happened before the last class is something that showed me how afraid I am sometimes. AND insecure. I am not looking for 89 comments of keep going. I WILL keep going. It's what I do. In fact, after the comment one of the instructors made before class, I came home, came to my blog and went to my comments over the last six months and took a deep breath and went, "GET A GRIP." Yeah. Outloud. But after forty-plus years of people telling me that I am not "such a much," the demons in the brain don't just shut up. I'm better at shutting them up or ignoring them, but ... well, perfect and I will not likely become acquainted in this lifetime. I can live with that.

The instructors rave about some people's work and justifiably so. I LOVE listening to other people's work. I learn from them.  But when I read a piece, the two instructors looked confused. Lary asked whether the class understood what I was saying and five women went, "YES." He asked for them to tell him and each one took a different bit. They understood the whole piece. He seemed surprised.  It was a bit about my brother's and my vigilance, even when I was not quite four--Not Mommy and Mommy. How we watched out for this, took stock of her body language, her eyes, her voice... wary. And what it was to go on one of the magical picnics. The preparation. The excitement. And, yes, the relief of knowing that Mommy was there--not the psychotic or drunken woman. The class got just enough to realize that my mother was not always quite right. And to see that she was quite wonderful otherwise. In 401 words. But even when I got the piece back they said that it was unclear in places and took apart the pieces they did not understand. And they even mentioned that I have to have something so that the readers feel that there is something at stake. That there is something that would compel them to read more.

I had to miss a class because of my back. Both feet were numb. Driving through rush hour would not be a good idea, nor would sitting for two hours in a student chair. Suzanne, and instructor, came to me the other night, when I returned. She was concerned because, well, I wasn't doing that well THAT night either. We had a guest author, who wrote Girls of Tender Age, an amazing memoir. Didn't want to miss that, and am glad that I went. I had sent Suzanne the attachment of my last painting and told her two of you were interested in having it, as are two people here at home. You all know me... I was amazed. But after asking me how I could cope with being as incapacitated at all, or what impelled me forward, a question which shocked me, she then suggested I might want to "rethink" my future!

Okay, she then was called away before I could really respond to that. I had said to her that it would not occur to me NOT to move forward, that lying down or giving in would have given me a lifetime of WORSE health and boredom.

Naturally, I doubted myself.  I have gotten a grip and this showed me that there is recovery left to do inside. However, it also showed me that I am not who I was the first time I had a class where Lary, my present instructor, was a visiting instructor. That teacher's and his criticisms got to me and I gave up writing for a decade. I was worthless, I thought, at 26.  Plus, the manuscript he handed me back was all wrinkled, with coffee stains. Not the other manuscripts. Just mine. As if this were intentional? I know Lary now. I lived for two years seeing his office. The man is not organized and spills on his own manuscripts.

But it took me only two days--no--a day and a half, to realize that this is nothing. And there is no reason to believe that it's personal. Other members of the class have been confused, too. And Lary finally said, at the end of class, that the object here is NOT to think we must write in a style that is almost self-consciously brief, but to learn how to truly look at every word, to experiment with different conventions, styles, techniques to find our voices.

One of my best friends in the world, Linda, helped me there. Today. Reminding me not to stop. Well, what she does is just remind me of who I am because of our conversations, period. It is always good to have at least one person who can help you find solid ground just by virtue of being who she is. (or he.)

I already found my voice. Here in this blog. With all of you. And I am learning every week in my class. I need to be true to myself, to accept the critiques as opinion, not gospel. Besides, some of the suggestions have been extremely helpful, and the "rules" have put me in touch with ALL my vocabulary, not just some of it.

So. Part II is scary for me to relive. It's an exercise in storytelling, but it is also an exercise in moving through that four-year period of operations without having my heart race, without getting the shakes. I learned so much through those nine operations. GOOD things. There may be a part three, but not for a while.

Okay. So. I won't stop writing. I couldn't stop writing and be okay with my life. It's what I have done to process everything since I was about ten. And I will keep learning in my class. I will take the suggestions in the spirit in which they are offered--as learning tools.  And I will not assume Suzanne was saying, "Be a painter. Your writing's a dead end." THAT is a reaction based on junk that has nothing to do with her.

But I'm not going to beat myself up for my bouts of fear or insecurity, either. If the only scars I have out of this life relate to a lack of self-confidence, then I'm not doing too badly, really. The back is a direct result of the battering by a brother in the days before people looked at things like sociopathic or psychopathic behavior in children. Boys will be boys. No one wanted to hear of torture or violence of a child against a child.

I was thrown down the stairs, pushed off chairs when I was reaching for things. I was battered and then called a klutz because I "fell." Jim was expert at it. He would find me at the bottom of the stairs, after pushing me, and tell Mommy how Jetty had fallen again. I began not to know the truth from his fictions. And by the time I was 26, I was missing a disk and there was evidence that vertebrae had been cracked in the past...

So writing about that journey is hard, the journey of the physical toll and the hell I had to live through because of it. Once again, though, for me, it is necessary. I am not ashamed of having all the surgeries; and they saved my life and ability to walk at a time when most multiple back surgeries failed entirely. (I know I'm hyper-sensitive there, but perhaps recounting that journey will help me stop reacting.) I am a SUCCESS story, not a failed back surgery story. I have gone twenty-six years now without another back operation. I've gone twenty years without another back "treatment" beyond occasional periods of intensive PT. I am alive, as I said. I am not wheelchair-bound. I stand.

And right now, I am about to ride fifty minutes on my recumbent bike, at level 12 out of 20. When I get off, I'll need an hour and a half to recuperate. A year ago, I could not manage more than twenty minutes at level 8. At all. Even sporadically. And then I will paint.

My life is a miracle to me, and writing about that is, for me, an exercise in FINDING the graces amidst the terror. You all are the people who help me believe that maybe this journey is worth the READ for others, when I doubt myself.

I found my voice just fine. With you. And I'll refine that voice as I work at home, and learn whenever the opportunity presents itself in classes, with other writers. (And on blogspot with other writers)

It's kind of fun (that's a strange word to have used, but it actually fits--weird), in some ways, to explore the last of my traumas. Oh. Wait. There is Jessica... But that is another journey, for another time. One at a time may be the best idea for now.

Part II is nearly ready.

20 comments:

Ben Ditty said...

I felt really inspired by these words :-)

Rob-bear said...

Well, of course, you are a success. You have learned a whole lot. And more important, you have learned which learnings are important, and which are not. Beats "demons in the brain" by a mile!

I'm with Suzanne, perhaps, about rethinking your future. You might want to kick things up a notch or two, just as you have on your bike.

I see you as an incredibly strong and smart woman, who understands herself and her world.

Blessings and Bear hugs.

Rosaria Williams said...

You have found your voice! Now, just keep it loud and clear.
As Rob says, you are a strong woman and you can do anything you set your mind to.

Elephant's Child said...

I do so love seeing a new post from you. And I love even more that you have recognised that you will not/cannot give up writing.
I would still be honoured to give that painting a home in Oz, but if you would rather have it a lot closer to you I can both understand and accept that.
Go well, and be well. The recumbent bike treks amaze me. It seems yuo are too stubborn to quit. Which is wonderful

JeannetteLS said...

Thanks everybody. I am considering removing this post, if only to remove any thought that I would seriously stop writing. The post is more about how I find it amazing that the insecurity nonsense can leap up out of something so small, a feeling that I know many artists of all descriptions feel when they haven't sure footing in their current work.

I meant it, that I am not looking for atta girls. I blurt in here. And it's a reflection. Eccogrrl is right that it's time NOT to let that insecure part have sway.

E.C. Would you e-mail me? I want to "talk to you about the picture."

Rob--Not sure about what stepping things up means. In terms of pace, I can't step things up more than I have in the past couple of weeks, but when the class is done, I'll have about six or seven hours a week free, which for me is a whole lot. But thank you for the support.

Ben, well, thank you. Anyone who reads this? Read his blog. He writes poetry that hits to the heart.

Rosaria, you know how I feel about your support.

SO. I will leave the entry up for now, but I'm hoping that no one will think from this that I am slowing down or changing what I want. I just wish my teacher had told me what she meant!

the walking man said...

Naaah don't remove the post. It is an insight into Jeannette and a clear example of a concise well structured stye of writing. Use of the English language and all the guidelines in their proper form and function.

Jeannette the soul of brevity is not in word count, that is the soul of assignment. The soul of brevity you already contain, and it is vocabulary used as a sharp stick. Try a flash fiction piece in 55 words, with a complete story arc as promoted by Mr. Knowitall here in blogopia.

The professors, moderators and facilitators always say "write what you know" OK then what?

The only suggestion I have for you is write what you feel then cut it in half conveying the same amount of emotion.

JeannetteLS said...

Walking Man, that is PRECISELY the way I am approaching the book. My blog is where I ramble, search, experiment. My work IS work--work that I love, however. I enjoy the editing process, which is the cutting room for movies, basically.

When I download certain of the blog entries for future use, the first thing I do is cut. My estimate is that first round, where I've saved elements I know I want to use, cuts a third. Half is what I shoot for. You nailed it, my friend.

While I get that writing memoir is partly "writing what you know," it also has to be about more than that. It has to be about discovery as well, and it sure as hell has to be about more than ME, ME, ME.

Enough. I have to bake a cake now. Priorities! One place where I can DOUBLE the ingredients, where excess is everything.

Carl said...

I know I struggle when I am faced with having to do the things I love (painting / photography) in a way I am uncomfortable or unfamiliar with. In the end whether I use the technique or not the process of learning it and looking at things in a different way ALWAYS helps me... but I have to admit to hating while I am doing it.

Anonymous said...

Well, it is alive & fleeting. And then there is the lack of artifice. The whirl of life & writing. I think it comes through very clearly that you will keep doing it. It's tender, funny, & sad...at least to me. ~Mary

JeannetteLS said...

Well said, Carl. I don't know that I hate it at this point, but I think if this were a semester class, I'd hate it by the end. I love the discipline, the experimentation of it, but I've let go of worrying about pleasing them in the work. Finally. I have moved on to learning what I can out of the process, and learning in class.

Thanks, Carl, as always.

Hi, Mary. I am glad that my love of writing shows through--that I would stick to this process. Tender, funny, and sad IS what I hope for.


ANGRY is not what I want to show, unless it is purely the reflection of anger at the time. I do not want to write the anger--it would be the foremost sign that I'd not already processed.

That IS what is taking me aback in writing about the hospital. I thought I had no more unresolved feelings about it. But this is good. I don't want leftovers as I move through the first year of my new life. If I cannot find the beauty, the grace, or at least something LEARNED in the experiences, frankly I don't even want to write about them here.

It isn't therapy, this blog. It is experimenting. No. It's kind of a public dressing room. Oh, my. How very kinky.

musicwithinyou said...

Jeannette your voice , your words have wings and lift my soul to great heights when I read your blog

JeannetteLS said...

Music, that is one of the loveliest things anyone has ever told me about my writing. Thank you.

Peaches Ledwidge said...

I agree with the walking man about not removing the post.

You show your vulnerabilities, aspects of your life, your writing.

In the past, in school, I received many comments, some not so pleasant about my writing--but I kept going, using the criticisms, even when they they hurt, to make my writing better.

Anonymous said...

dont stop writing, dont ever stop writing, please.

if we dont beleive in ourselves, you else will?

i am near tears reading this, reading about being pushed and kicked and hurt... on the inside and outside. you move me.

Jayne said...

Jeannette- I just read this post an the one before. Your life is a miracle. And a story that must be told. Keep writing, no matter what kind of critiques you get. I've sat in many a workshop where my writing was dissected--everyone has a different opinion, and the professor usually likes a certain style of writing. No critique is objective--you must always keep that in mind.

These last two pieces gripped me, Jeannette. Keep writing--just get it out!

sage said...

You have so much to share, don't give up writing. I had so many bad English teachers and only began seriously writing in my early 30s, after retaking Freshman English (at the time I was also a grad student). That teacher help me see that I really could write. I look forward to part 2.

Sextant said...

The world is full of writers with advanced degrees in writing that can write a technically perfect manuscript that nobody wants to read. Then again there are a few of them that are really good writers.

The world is also full of people who have nothing but a rudimentary education in writing and much desire who for the most part write crap that no one wants to read. But then again there are a few of them that are really good writers.

If good writing was but a science, we all could become great writers. I suspect, however, that good writing is 90% art and 10% science. You either have the art or you don't. Writing classes will only help with the 10%.

Jette, you possess the art, and with the art you don't need a technician to teach you how to reduce 700 words of artistry to 379 words of technically excellent boredom.

JeannetteLS said...

Ah, Sextant, you do brighten my world so often. I have to say this, though, to everyone. These two teachers are wonderful writers who possess the art and the science. Since I wrote this, both have been so supportive of a glitch in my health and life, and have been worried that I would stop writing. In fact, one of them completed her thought about rethinking my future and simply wanted me to, for now, think of focusing the practical marketing stuff on my paintings, and just keep on writing for the joy of it, without rushing the book.

She had realized I might have the wrong idea. I told her, "I write long. I LIKE writing long." She said, "Then you'd best write long, and just take from what we throw at you, only what helps."

THAT is a teacher.

erin said...

this isn't what i meant to say but i pull this and post it here for you and i anyway.

a note

Life is the only way
to get covered in leaves,
catch your breath on the sand,
rise on wings;

to be a dog,
or stroke its warm fur;

to tell pain
from everything it's not;

to squeeze inside events,
dawdle in views,
to seek the least of all possible mistakes.

An extraordinary chance
to remember for a moment
a conversation held
with the lamp switched off;

and if only once
to stumble on a stone,
end up drenched in one downpour or another,

mislay your keys in the grass;
and to follow a spark on the wind with your eyes;

and to keep on not knowing
something important.


~Wislawa Szymborska
from Monologue of a Dog

i think any of us whether we are good writers or bad (i am feeling very very terrible at writing this morning:) must write for some other reason that is born in the crux of the self, that rises from the point of living. i know you know this:)

xo
erin

Sattakingin said...

play bazaar

Play bazaar
satta king Darti hoon aapka jara sa
bhi naraz ho jaane se,