On Writing My Memoir

I am finding that some truly beautiful experiences are coming back to me, the more I write.  I find that my mother's sweetness knows no bounds, now that I remember the rest. That is such a gift, but I realize it is a gift I will need in order to address the worst of her. It was not liquor. It was psychotic breaks. And I am at a loss as to how to write of them, yet I will have to.

Writing ugly is not easy when you lived a life of oh-so-lovely denial. When I was in college I painted a picture of beauty about my home life, except for the fact that my mother drank. I did not speak of any dark times in childhood, however. My story with her always began in high school, out of thin air. All was beauty and magic, if you listened to me talk about my childhood. The only horrors were at school.

We do that. I also spoke of my relationship with my older brother as special and tragic. He was the whipping boy, the innocent too often blamed for everything. I was his defender. And I was, as it happens. Again, this is so often the case. I tutored him in French for all his high school years. He was fifteen and I was ten! It was after the rape, after he tried to sell me so he could by some "buck" shoes, like Pat Boone's. I had no memory of that. After all, by the time I was fifteen myself, I had turned instant burial into an artform. If the memory was not to my liking I simply denied its existence, like some reject factory part on an old-time conveyor belt.  I was afraid for him, and bought into the family line when the New York police were looking for him on drug charges. He was framed, my parents said. They got him to hide out in New Hampshire.

Every holiday season for three or four years, the police would stop by. It got so I would be the one to answer the door and invite them in for coffee or cookies. A standing "joke." Finally, when my brother as married and wanted to come out of hiding, my parents took him with their lawyer to New York and the charges were dropped. He was terrific at posing as a good, reformed family man.

Only he was guilty. And years later, I found out that Jim's discharge from the army was dishonorable. All those bouts of illness when we had not heard from him? The brink. He was court-martialed for bribing an officer.

My family, like so many others, simply acted on the premise that if you say everything is perfect often enough, then everyone will believe it to be so. This was never clearer than the years I tried to tell the truth about my mother, during high school. She primed the school with the "fact" that I was a liar, prone to fantasy. While that was not entirely false, it was not the truth when I tried to get help to deal with Mom. By then her bouts were every morning, before I went to school, and by the time I got home, she was often so drunk that she was barely conscious. Then she would, for no apparent reason, have several months of sobriety, just long enough for me to hope, but short enough for me to be wary at the same time.

I could not begin to look at the whole truth as I knew it, until it impacted my own children. Until I had to, to keep from repeating the tale in my own life's story, too.

Ugliness and great pain is an underpinning for our love story that has to run through the whole. I have spent a great deal of time writing of the many gifts she gave me, and that's the truth. And you know she drank, but sometimes we have to show not tell, as the cliché goes. I know that, too. The funny thing about moving beyond the pain to the beauty is that sometimes I just do not WANT to remember what happened! While this is not a bad thing at ALL in how I lead my life, it's not as good for the writing of the tale.

Mom wouldn't want me to leave it out. I know that for sure. In my core. In my soul. How do you tell the story of a small child, too young to bathe on her own? How do I relate the moving blur of the NOT Mommy face as she tipped my head beneath the surface to  rinse the shampoo out? I see her eyes go dead and cold just as the water closed over my own entirely. I see the moving glare of the light and feel myself struggle beneath her hands. I can feel the pain on my heel as I kicked and connected with porcelain, and feel the struggle not to breathe, feel the pain as the light grew dim.

Suddenly I am sitting and I hear the sucking as she pulls me out too quickly and  she misjudges and my head just catches the faucet. I see the pink creep through the water as I cough and cough forever, and I hear my mother. "Oh, my GOD, oh NO, oh, NO! Oh, GOD. My Jetty, oh, NO! I'm so sorry!"

She is crying and pulls me to her, but I pull back just a little, to see her eyes, but she is there. Her sweet sky eyes full of tears and she holds me and we cry.

And later she is in her chair, unable to speak, the bottle of amber on her table. Jean Ellen puts me to bed. Mother will not rise until too late for church on Sunday. Daddy is away on a "quick business trip." I remember Jean Ellen tucks me in and she has her worried puppy face. Her brow would pucker instead of wrinkle. She reads a long story and already the horror has dimmed, and all I know is my mother's eyes when she held me close to her.

***
That is the story, too. And it is every bit as much our story as the elves and the drinking and the summers and Christmases of joy. It is my story with her, and my ultimate joy that we had our truths with one another at the end.

And so I write it all for the first time. As I remember it. My truth, which I know was hers. Ironically, alcohol numbed her in a way that did not allow the psychotic breaks. She never raised a finger to us when she drank. She said most of her pain left her when she drank.

And what I feel at last is the pain I know as a mother myself, and how it must have felt when she snapped out of the break and saw what she had done. No one loved a daughter more than she loved me. She hated the monster she could not name, this illness no one could name back then. I know how hard she tried to fight it, to fight an illness over which she had no control at all. I know how much she hated herself.

As I move forward with the book, it is so hard to find the balance in the work. It hurts to write her dramatic and sometimes horrific failures. Yet without them, her magnificence and her strength are lessened. She succeeded more often than she failed, and I cannot under-value the strength she had, nor the toll her tortured life took on her most of all. So I try on the pain again, now strong enough so that it cannot stick any more. It cannot offer more pain, though it can scratch an old wound to discomfort.  I hold all her beauty on the other scale, and its weight is ten times the pain. The wound will not open; only the love.

How I miss her still.


***** DIFFERENT Note, for now: Please check out Waystation One, for 1/23/20122's poem