Three Photos, an Old Poem, a Painting in my Brain...

... and another ramble from a memory.  In the seventies and early eighties, I had an "aunt and uncle" who built a dreamhouse on Cape Cod. Joy was actually my mom's first cousin, but they grew up around the corner from one another in New York (Flushing), so felt the relationship was more like sisters. She was about ten years younger than mom and we always thought of her as Aunt Joy. It was to her place in Paris my sister and I went during the summer of '74, when I was graduated from college.

My aunt designed and had built a wondrous home at the Cape, to which  my sister, my best friend G, and I would run for a joint birthday celebration of G's and mine. Joy was a gourmet cook and would make us fabulous meals. She was estranged from her daughter and I was the surrogate. Or so she said.

You know what? For now I will cut to the chase. Four years after I was married, she called one day and told us Jack's "Ship had come in." He was a brilliant man--ultimately part of the group that invented the early voice recognition for telephones. A computer scientist who put himself through school playing, as he called it "cocktail hour piano." He relocated from his position for ITT (Then) International to form his own research company and he said that he had sold at long last, one of his patents. Joy was ecstatic and immediately they called me and told me that I would never have to worry about Mark's and my kids' education again. They had a big dinner for all four of us kids and our children to tell us they were setting up college funds for the kids and were giving every adult in the group an income GIFT of $10k a year! To us, it was something.

And if I could not trust my surrogate parents, the aunt who had been there for me during my twenties, when my mom's drinking had overtaken her more than half the time, well...

And they called me especially, telling me that they were sending me fifteen thousand dollars to get a GOOD CAR and pay for the added auto insurance, title fees, etc. The check did not come, but they insisted there were glitches. In the meantime, I called G, who was newly out of law school, that she should plan on a vacation.

One of G's shots related to
where this ramble's headed

She and I were renting a place in New Hampshire to take a long dreamed of vacation together so she could have autumn shots of New Hampshire.  She had an affinity for shots in the mist, taken through foliage, and of reflections.  The Lake beckoned. I kept putting off getting the car, though, wisely thinking it was best to simply pay, not get a short-term loan. But I made our reservations.

Finally, Jack called and said, "I just mailed the check. Why don't you get the car."

Mark said, "Honey. Let's go get that car you picked out and just take the loan and pay it off in a few days. It's the only one on the lot."

We got it. It was the color of my skin when I got a tan. Back then I had only lately given up tanning...

I called Joy and told her, then drove to my folks' house later in the day so that they could see I no longer had the breakdown king of cars. The phone rang. My dad got off the phone.

"It was a lie. Jack was picked up by the police, drunk, trying to buy a gun and shoot himself. He didn't sell a thing. He refinanced their paid for house and made it look like they were rich. He is penniless."

And I had a car we could not pay for.

There is far more to that story, but that is enough. My parents helped us out. And my husband said that we would FIND THE MONEY and to just go on vacation.  We had lately found out that my dad was dying...

part of the image G gave me for my wall

G and I went and it was wonderful. I would park my brand new, comfy car, and she would get herself into contortions to take pictures. And in the course of our adventures, we found this One House Island (that may be our name for it) on, yes, Golden Pond.


 When we got home, of course, all hell broke loose for year after year after year, it seemed.

But along the way, I wrote poetry. I do not say it was good poetry, but it helped me.  And one night I dreamed an image, and the next day wrote a poem so that I would not forget.

The other shot she took

Dream Witch of Holderness
In the mist, a castle-cottage
Rising silent from the water
Like the Loch Ness Monster --
You startle.

Un-turreted, but towering;
Alone, on small island nestled,
Where no safe harbor welcomes --
Only rocks.

Does your dock draw up at night?

Does your long-necked, pine-crowned bough
(So still and silent serpent
Over now day-misted lake)
Snake further still in the dark?

Turning gently to its queen,
"Dear Sorceress within,"
Does it whispering to you ask
"Where do we wander tonight?"

Then silent as owl's flight,
Does my Innisfree arise,
Unfurling gold-scaled dragon wings,
And vanish?

Do you color these worlds I dream?


In my head I took the dock in the background and combined it with the memory of a giant fallen tree you cannot see from this angle. It snakes into the Lake a good ten feet, but it is from a direction where she could not get a decent picture. There rocks in the right background jutting out to the left.  G took many photos of misty still waters, brilliant foliage breaking through it. She has a painting I did based on her work hanging next to the two inspiration shots at her house, in fact. We used to be like that, working off of each other's art. The image in my head had more the mist of the first painting.

 I dreamed that poem once again. Last night. I have to work on it now. I don't know whether I yet have the skill for it, but I have to try. Eventually I will get it, I know. Plus I have to finish the painting "Snow on October Fire" too. This means I'll not be writing for a bit. Not long, but probably not more--except on comments, of course!  Joy died before Christmas. Jack's senility has made him kind... such a gentle surprise. Many difficult memories reside with these two as well--I may or may not write of them. But I remembered the Joy who was there for me, and tried for thirty-five years to find her again. She left when she lost that Cape House. She never came back...

But has so often been the case, out of a time of pain and turmoil, came nuggets of great beauty and wonder for me, and a simple children's poem, and an image that haunts me still. I had to wait until I could BEGIN to paint it, until I could feel Joy's death as LOSS, to find my way back to it again.

In Arnold's words, "Ah'll be Bahck."

PS
I just finished a sketch that has promise! Kinda excited now.

Memory, Memoir and ... Just a Bunch of Rambling

I realize I've gone longer than I want to without posting. Why? I have been working on a new post and I want to cut some of it, and I have needed to let it percolate a bit.

On the other hand, I always find it interesting reading about the process of writers or artists of any medium. I include the "practical" arts, making little distinction among artisans, artists, writers, what have you. I mean there are cooks/chefs who are artists in my book. ANY time engaging in the creative process is a  large and important part of a person's life, I feel artist is good generic word. I so often see that the process is very much the same. We are inspired to create and we start to act on that inspiration. Sometimes we get all tangled up and must start again. Or we must "edit" our finished product, or it can change along the way. Potters, quilters, cooks who stray from recipes, writers, painters, photographers, metalworkers, sculptors--you name it. I call it art.

I learn from the process as described by others.  I feel less alone. And I feel supported just by reading how other people wind up changing their focus smack in the middle of a project!

But, all this remembering is sure getting in the way of this memoir-writing stuff! It's a total pain in the hoo-hah, I can tell you.

As I started to look at my 300 pages (no exaggeration there) of memoir material and began to choose material where my mother and our relationship were more of a focus, well, then my dad leaped out and said, "GAWDAMMIT! I have something to say." He will not brook SHUT UP from anyone--it was true in life and quite clearly is true from the Great Beyond.

The Demon Was a Boy... Darn it all
And now? Much to my confusion and sometimes distress, the humanity of brother Jim is leaping into my brain. This is hard, yet necessary. It is not so much that I blocked those memories, but for years I had to focus on what I had blocked and simply put them aside.  Now HE won't shut up, either.

The theme broadens then, and I wonder what I want to say and I wonder whether my story will have meaning beyond an interesting read. I find it presumptuous to begin a project and feel that MY handling of life would be any kind of inspiration to follow. Yet what I still find miraculous is the mind that tucks so many wondrous memories in with the horrors, when I blocked out the pain so long ago. It's as if I wrapped the pain up in a whole lot of packing paper, but tucked prisms in there along with each horrific memory. And as I try to figure out where to put the one who was most monstrous, damn it all... turns out that, yes, he was just a baby once upon a time. And a small boy. And a ten-year-old who practically carried his little sister home one day, so she would not burn her bare foot on hot tar. And a teenager capable of showing me true tenderness.

And then, where two of the men start yelling, the third's not far behind.

Jack starts yelling at me, too. "Yo! Jetty. What about when we went to the lake with Feej and sang on the dock. And how I wouldn't let you go in the back room at The Depot when someone was singing up front. And what about when I thought I'd be a minister and you would not hang out the clothes ... and..." Yeah. Right. WhatEVER. So Jack had his dark side even when we were kids.

I look at all the stories, and, believe it or not, I have not told them all in here! I look at them and over and over what I see is a collection of people whose personalities themselves were rain forests of wondrous light and terrifying darkness.

I was the heroine of light, right? Not so much. Inconveniently, I remember my darkness as well.

And Our Heroine Had Her Demons, too  ... No Surprise, I'm Sure
When I was twelve, I was asked to baby sit for a teacher's little girl who was four. When I was there, I kept having images of pushing her down the stairs, of pushing her off a swing, of things that terrified me. I did not do anything to hurt her, but I told Mrs. Richardson that I felt I was too young to care for her little girl. She thanked me for my honesty. I cried through most of that night, believing I must be some sort of demon straight out of hell.  I refused to EVER baby sit through my teens. By my twenties, however, no such visions came to me in the presence of small children.

The lesson was there, though. And I had many demons of my own, biting at my heels. I was hell-bent to self-destruct off and on until at last I sought professional help. And I'm thinking that I cannot leave it out or the book will not state the truth. Truth, as opposed to the facts. Honesty without hiding, without leaving out what is not pretty about me, not just them. (I hate that. It is just so much nicer to stay aloof, to imply that I was pure. But that's also boring, so what the hell.)

So what is the thing I want to say? And do I need to know before I put it all together? The "books" say I should. The "experts" say I should be able to state my theme in a sentence or two--clearly, concisely.

And So It Goes...
And I say, probably I have to simply ramble and THEN see what route I wound up taking. AFTER that, the editing with a HATCHET will be needed.

Unless, of course, I change my mind!

There is something about the men in the house. The Father, Son, and Holy Ghost--those tee-shirts from Jim's girlfriend at the time. The women did not tend to speak up without risking the sarcasm of the Holy Ones. My mother took the brunt of the derision, and that is part of her pain, as well. My sister absented herself from most of the competitive bile from "the boys." She was judged by them, regardless.

I leaped in with both feet, mouth a-blaze, and held my own when I could. I learned to slice people to ribbons at an early age. It saved my skin in junior high, when I was so often the target at school.

Daddy said I came "out the chute going 'Oh, YEAH?' and never looked back." Interesting metaphor... Nevertheless he is right. And I have been struggling for a week with the new stuff that keeps gushing from deep inside, like a geyser from the middle of the sea.  And I am not sure but that this is the thing about it all.  My story reads like a novel. A sweeping southern saga with layer upon layer upon layer.

My mom told me I could NOT be a southern writer, which made me very angry. I was drawn to them. They could tell the scariest, most painful stories without ever losing the beauty of it all.

So I'll just dive in and see where it goes, for all my trying to find focus. I will allow the Carson McCullers and Harper Lee inside run wild.  Maybe there are two books in one. I have no clue. But you are all along for the ride, so ...

Now I will delete the old draft, because I've covered it all here! Undoubtedly, you'll read some of the story in here, but I know I have to keep some of it for the book now, not the blog. So I'll write about other things.

PS
I'm not looking for words of support or comfort. It isn't that. However,  if you all have some story of your process--preferably the part that makes you NUTS, that would be great! And by the way, long comments are ALWAYS welcome. And it can be all about you. That's fine with me. I learn from comments-- A LOT sometimes.

On Writing My Memoir

I am finding that some truly beautiful experiences are coming back to me, the more I write.  I find that my mother's sweetness knows no bounds, now that I remember the rest. That is such a gift, but I realize it is a gift I will need in order to address the worst of her. It was not liquor. It was psychotic breaks. And I am at a loss as to how to write of them, yet I will have to.

Writing ugly is not easy when you lived a life of oh-so-lovely denial. When I was in college I painted a picture of beauty about my home life, except for the fact that my mother drank. I did not speak of any dark times in childhood, however. My story with her always began in high school, out of thin air. All was beauty and magic, if you listened to me talk about my childhood. The only horrors were at school.

We do that. I also spoke of my relationship with my older brother as special and tragic. He was the whipping boy, the innocent too often blamed for everything. I was his defender. And I was, as it happens. Again, this is so often the case. I tutored him in French for all his high school years. He was fifteen and I was ten! It was after the rape, after he tried to sell me so he could by some "buck" shoes, like Pat Boone's. I had no memory of that. After all, by the time I was fifteen myself, I had turned instant burial into an artform. If the memory was not to my liking I simply denied its existence, like some reject factory part on an old-time conveyor belt.  I was afraid for him, and bought into the family line when the New York police were looking for him on drug charges. He was framed, my parents said. They got him to hide out in New Hampshire.

Every holiday season for three or four years, the police would stop by. It got so I would be the one to answer the door and invite them in for coffee or cookies. A standing "joke." Finally, when my brother as married and wanted to come out of hiding, my parents took him with their lawyer to New York and the charges were dropped. He was terrific at posing as a good, reformed family man.

Only he was guilty. And years later, I found out that Jim's discharge from the army was dishonorable. All those bouts of illness when we had not heard from him? The brink. He was court-martialed for bribing an officer.

My family, like so many others, simply acted on the premise that if you say everything is perfect often enough, then everyone will believe it to be so. This was never clearer than the years I tried to tell the truth about my mother, during high school. She primed the school with the "fact" that I was a liar, prone to fantasy. While that was not entirely false, it was not the truth when I tried to get help to deal with Mom. By then her bouts were every morning, before I went to school, and by the time I got home, she was often so drunk that she was barely conscious. Then she would, for no apparent reason, have several months of sobriety, just long enough for me to hope, but short enough for me to be wary at the same time.

I could not begin to look at the whole truth as I knew it, until it impacted my own children. Until I had to, to keep from repeating the tale in my own life's story, too.

Ugliness and great pain is an underpinning for our love story that has to run through the whole. I have spent a great deal of time writing of the many gifts she gave me, and that's the truth. And you know she drank, but sometimes we have to show not tell, as the cliché goes. I know that, too. The funny thing about moving beyond the pain to the beauty is that sometimes I just do not WANT to remember what happened! While this is not a bad thing at ALL in how I lead my life, it's not as good for the writing of the tale.

Mom wouldn't want me to leave it out. I know that for sure. In my core. In my soul. How do you tell the story of a small child, too young to bathe on her own? How do I relate the moving blur of the NOT Mommy face as she tipped my head beneath the surface to  rinse the shampoo out? I see her eyes go dead and cold just as the water closed over my own entirely. I see the moving glare of the light and feel myself struggle beneath her hands. I can feel the pain on my heel as I kicked and connected with porcelain, and feel the struggle not to breathe, feel the pain as the light grew dim.

Suddenly I am sitting and I hear the sucking as she pulls me out too quickly and  she misjudges and my head just catches the faucet. I see the pink creep through the water as I cough and cough forever, and I hear my mother. "Oh, my GOD, oh NO, oh, NO! Oh, GOD. My Jetty, oh, NO! I'm so sorry!"

She is crying and pulls me to her, but I pull back just a little, to see her eyes, but she is there. Her sweet sky eyes full of tears and she holds me and we cry.

And later she is in her chair, unable to speak, the bottle of amber on her table. Jean Ellen puts me to bed. Mother will not rise until too late for church on Sunday. Daddy is away on a "quick business trip." I remember Jean Ellen tucks me in and she has her worried puppy face. Her brow would pucker instead of wrinkle. She reads a long story and already the horror has dimmed, and all I know is my mother's eyes when she held me close to her.

***
That is the story, too. And it is every bit as much our story as the elves and the drinking and the summers and Christmases of joy. It is my story with her, and my ultimate joy that we had our truths with one another at the end.

And so I write it all for the first time. As I remember it. My truth, which I know was hers. Ironically, alcohol numbed her in a way that did not allow the psychotic breaks. She never raised a finger to us when she drank. She said most of her pain left her when she drank.

And what I feel at last is the pain I know as a mother myself, and how it must have felt when she snapped out of the break and saw what she had done. No one loved a daughter more than she loved me. She hated the monster she could not name, this illness no one could name back then. I know how hard she tried to fight it, to fight an illness over which she had no control at all. I know how much she hated herself.

As I move forward with the book, it is so hard to find the balance in the work. It hurts to write her dramatic and sometimes horrific failures. Yet without them, her magnificence and her strength are lessened. She succeeded more often than she failed, and I cannot under-value the strength she had, nor the toll her tortured life took on her most of all. So I try on the pain again, now strong enough so that it cannot stick any more. It cannot offer more pain, though it can scratch an old wound to discomfort.  I hold all her beauty on the other scale, and its weight is ten times the pain. The wound will not open; only the love.

How I miss her still.


***** DIFFERENT Note, for now: Please check out Waystation One, for 1/23/20122's poem

Running too Fast and Forgetting to Breathe

I have been using this month to begin the process of developing some structure for myself.  While I was a pretty disciplined and successful copy writer for more than a decade, I had a few regular clients and I knew their needs and schedules.  My back had its own schedule and I knew it by heart, by feel, to my core.  Everything fell apart three years ago.

Now, as I start my new life with new parameters, new brick walls to avoid, and free of anyone's deadlines but my own, well, I find myself a little unnerved. I have been reading some books on the new publishing world--on my Kindle, of course, which is only fitting. It would seem I must develop a platform; yes, I knew this already but I didn't know it, if you get my drift.  This home blog of mine, this testing ground, this home base for some internet relationships that matter to me ... well, it won't cut it for a platform. Again, I know this in my mind, but it is unlikely I will abandon it. It serves a deeper purpose for me.

I just read an article in this month's Poet & Writers' Magazine about the Internet and how it can interfere with a writer's creativity. I could cite it more carefully, but what I read was more of a jumping off point that is combined with the three books I've read in the last two weeks about marketing a book in today's world.  The message is clear in all of them; I must build a platform long before the book is even written. I must join networks of people who share my interests, who are likely readers of a memoir I would write.  I must write SHORT.

Oh. My. God. Help me.
I have to re-enter the world of Twitter. I do not LIKE Twitter. This does not mean I don't appreciate its uses; it means simply that I hate Internet/text/chat speak. So much room for misunderstanding, for lazy communication. On the other hand, I know that I am often lazy in my meandering trips to nowhere on my blog. I am lucky that some of you enjoy the ride without particularly worrying about the side trips and the fact that there may not be a particular goal. But I have to start finding things to write about on a regular basis, things I can put into 500 words, or perhaps 750.

I have to tweet, post status updates, comment, write, connect. CONNECT. CONNECT.

And I have a wonderful compendium now of ways to do this, most of which I kind of understand, despite my protests to the contrary. I just don't know which of them will help my actual writing. Which will contribute to the act of getting the thing done? My blog right here does that. Reading the blogs I do help my writing. So I know I must keep this going and I have to incorporate reading YOUR words, thinking about them and commenting on them.

I have seen some of you do a fantastic job of building substantial followings and, when I think about it, I realize how you do it. Part of it is your frequency and the variety of your work. Or the fact that you connect with people who do what you do. Linda Lou is a marvel to me! And I watched Donna take off. I read blogs which have thousands of followers and I wonder how you all can write so often and so well, about so much. (Naturally, in this frame of mind, I see only my shortcomings. This ain't about logical thinking today!)

But my goal was never about how many followers I have had. My goal was to have followers who wanted to come back, even though I am sporadic here. My goal was to find my own voice and to use it; to learn how to write what is painful or horrific, without making people want to run away screaming into the night. It's cool to see the number grow, when I publish every week, when I explore new blogs and comment. But that's not the object for me.

The article I just read talked about how the social networking can also divert us from the very thing we started networking FOR! To create a welcoming platform for the book we want to write, or have begun to write. It talked about how we have to walk AWAY from all the networking and unplug ourselves in order to produce, to give our creativity time to percolate.

Well, then I hit my brick wall this week and got the shakes and put myself into a dither.

Visions of Hell
This is a talent I have; perhaps it is an artform for me. I'm not sure.

I have about four upright hours in every day. Occasionally I have as many as six, as long as they are spread out with many long breaks. By upright I mean sitting UP. I have to lie down a lot, and I DO mean lie down. I can one day perhaps get one of the Dragonspeak programs and do more. But for now it hit me that I have a great deal of work I must do online to lay the groundwork for being able to publish this book I am also working. And I have FIVE paintings in the works. Suddenly, it all became overwhelming to me.

How do I give time to it all, every day, and still have a life with the people I love, and do my laundry, and my grocery shopping, and, well, leave my apartment? Not to mention go to the gym nearby for about four hours a week so that I can KEEP WALKING?

I began to sob, not just cry. I threw an all out hissy fit. I got scared. I am sixty years old in June and I have only JUST adjusted to this new and frail body I do not like, to the point where I can consider starting the program to perhaps make it stronger and maybe add another half hour or hour to the productivity.

And then I began to laugh. How come AlAnon still helps me? ONE STEP AT A TIME. One DAY. One Hour. I let it all gang up in my mind. I must do all things on every day.  I must build a network of thousands by next Tuesday? And I must start my hour and a quarter workouts THIS week THREE days a week immediately.  And I must twitter, begin a new blog, write on this blog, read ALL the blogs I've missed, develop a webpage, compile a list of existing contacts, AND read the three memoirs waiting for me--in the coming week.

There is no time. I must also complete at least twelve paintings by 2013.

In four hours a day.

Or I am a failure.

It's good to be a grown up...

Step Back and Breathe
My brothers and sisters all called me in the same twenty-four hour period after one of my mom's most infamous binges after my dad died. I had almost the same conversation with each.
Sibling: Mother is drinking. Did you know she drank like this?
Me: No shit. [sorry. In this case, the word fit. I'd been screaming about it for twenty years.] I've told you she was an alcoholic for years.
Sibling: Well. Yes, but I never knew it was this bad.
Me: silence .... then, What's your point?
Sibling: What are you going to do about it?
Me: Get the hell to AlAnon.

I went to my first meeting that Wednesday and got me an ODAT book (One Day At A Time). I sat at that meeting and listened, then went home and read all 365 days that very night. Like so many before me, I figured if I did it all at once, I'd be cured real fast. They reminded me to slow down.

And so it has been as I've been doing my research, as I have been allowing myself to actually take my dreams seriously and lay the groundwork.

Mommy, I am telling them what we had. Honestly, I am. And I am shining as hard as I can for you.

But I sure do wish you were here the way you were when I'd run so fast I'd fall; to lightly tip my chin up toward your face and say, "Jetty, Jetty. Breathe. Life is not a race. Sweetie, catch your breath and try moving one foot at a time so you don't get all tangled up and keep falling down. You'll get there in your own time." And then kiss me on my nose.

I guess maybe I'll just breathe. And write. And get there in my own time now, one word at a time, so I don't get myself all tangled up and fall down.

OOOOHHHHHHHMMMMMM.... Oh. Wait. I'm not supposed to be saying that with clenched fists, huh.

Here's to those baby steps I was writing about!

New Year's Path; Old Year's Victories

I think I have written before about what I try to do every New Year's Eve, but what the heck. I will write about it again...

Last Year Is Done: Let Go of Missteps, Keep the Grace
I take a serious, long look at the year that is ending, reading the goals to move toward a more desirable path, and trying to honestly see how far along I have moved in that path and whether or not it remains a valid guide for what comes next.  I also write down every single misstep I believe I have taken with somewhat brutal honesty at times.

Then I read those missteps aloud, pausing after each and I systematically tear up the list into as tiny pieces as I can and I throw them away. Sometimes I put the day's coffee grounds on top of them, just so that I feel I have thoroughly obliterated them.

Finally, I write what I feel I have accomplished on the left side of a piece of paper, as well as all the good things that I feel have happened TO me--the serendipitous gifts, or points of grace.  Some years I have had a terrible time finding either, but more often I find that it's easier to list points of grace than accomplishments.  I tend to minimize my role in anything good. I have noticed this in the last three years, most particularly; I had far less trouble finding my flawed acts than giving myself credit for anything.

Bit by bit, though, I got better at that.  In 2010 I managed not to blame the house not selling on me. I gave myself credit for readying the house for market, for making some progress in some self-destructive obsessive behaviors, and for forgiving myself. Never before had I listed that as a positive accomplishment, but I finally saw that I would have appreciated this in other people--why not myself? But enough about 2010. It was a terrifying and painful and difficult year.

2011 began differently. The list of graces was enormous, but I saw that I felt I had accomplished a lot as well. I had returned to my blog, exceeding my target of 26 entries for the year. I had finished two more paintings and have five in the works. I let go of worrying about how much money I would have after paying off all my debts if the house sold.  I changed the dynamic of a relationship that was truly codependent. I found the core and the structure for my book. I began to exercise again, if somewhat sporadically so far.  All of my baby steps had added up to something.

Baby Steps Matter! From Broad Strokes to Filling In the Details...
I have overlooked the baby steps so often in my life, not recognizing that they added up to moving along a path I valued. The path? To live more creatively and closer to the bone of Jeannette. Who I am, rather than someone I think other people will approve of or like. Living my life out of loving rather than being loved. (That's a kicker, and I cannot say that I come close to living that way, but it's a pretty worthy goal I think.) That little girl who kept company with the mice in the traps, who talked to them and loved them who somehow got it that loving things was an answer to something scary ... she was only three and understood how to do that.  In some ways, the path I wrote down to work toward in 2012 is hers.  The path is the elementary school girl who wrote her first poems in free verse.  The girl who saw a foster child with scanty clothing and asked her mother whether they could do something to help, and then helped her. My path is the same as the middle school girl who completed her first "real painting" of three faces of women, crying out for help in her art, crying out through the false smile, the anger, the scream--but no one heard. They saw the skill but ignored the voice. My path is to write and to paint my soul, to do my best to be felt and seen and heard--but to do it for the act of the doing.

Those were the broad strokes I wrote for moving forward.  I do tend to find writing some specific steps helps me to get started in every year, though I don't label them resolutions.  While I put the broad strokes as the start of the right side of my paper, I always follow it with specific actions. That's all I call them, rather than telling myself they are resolutions.

I recognize that taking care of my health issues must be included, or I won't be able to do a damned thing. I start with them because they are the least interesting to me--this year, just getting to the apartment gym once a week and to ride my own recumbent bike at least an hour a week are enough for someone who has been bedridden for so many hours a day.

I want to have at least 52 blog entries this year. I don't say once a week, since that would set me up for failure if there is a week I don't get to it.  But this year I DID get ambitious, for once. I simply put WRITE THE BOOK, yes, in BIG lettering. I did not put write the finished product, nor publish it. I just have to write it now. (Bruce, you are so right. Most of it is written in my head or in my blog, but I have to put it in a compelling, readable form. The whole thing. Period.)

Finally, I wrote "start and complete at least three new paintings."  That may not seem like many, but since I also put "Finish partly done paintings," that means I would wind up with ten completed paintings, at least. I keep finding partly done paintings that I had forgotten about entirely, from 2009 and early 2010. I had had to dismantle my studio early in 2010 because I was readying the place to sell. They remained packed up and hidden until I moved. When I put up my Christmas tree, I found another nest of them!

Age, Schmage (or Old, Schmold, if You Like)
I had begun this year's list with the intention of giving myself a schedule, but I cut to the chase instead. I may have the same list next year, or I may not. But in reading the list of accomplishments and graces of last year aloud, I realized that I felt like having myself shoot for the stars. Why dream little?

I will be sixty this year.  I did not think of my parents as old at sixty.  My mom hit that age when I was twenty-five, so it was not unreasonable for my friends to think it was old.  What I saw in my parents, though, was that they both had minds like steel traps and, when she was sober, my mom had an insatiable curiosity about just about everything--except things that had to do with popular culture. Dad became Registrar of a university when he was sixty, after changing careers five years before. They were not over. When my health took such a terrifying turn in January of 2009, and so many dreams blew up in my face, I had started to let those thoughts of "getting old" and being "washed up" creep in through the cracks where my soul had been bleeding.

I allowed myself to start to believe that the best years of my life were behind me. Why? Because I was in acute pain? Because an old love had been used my heart then thrown it and me away, like garbage? Because I was poor? Because I had lost my career or any hope of regaining that particular career I'd built over ten years? Because I had to go through the humiliating process of applying for Disability? Because I knew I had to lose my home? Because my son had become increasingly withdrawn and depressed, and there was not a thing I could do? Well, yeah! Because of all those things.

Fine. I had reasons to be depressed, to be fearful, to be stuck. So what? I realized at the end of 2010 that none of those things had anything to do with being old, or being done.  I have no idea what snapped me to attention, but I do know that something practical and tangible--winning my disability hearing and having the judge lambast the board that denied me turned me around. How crass, one might say. Well, when you are penniless and have to rely on a credit card and the kindness of your friends to put food on the table, having an independent income, no matter how meager, changes your life.

I got unstuck in 2011. I made reachable, small goals for myself last year. I met every single one of them, and have you any idea how good that made me feel last night?

Why Dream Little? My Mantra, Perhaps...
So I am dreaming BIG this year. And I actually yelled at a friend who talked about our being old and how we had to accept that from here on opportunity is for the young. It made me angry because I feel as if, once again, I am just getting started. I had to start from scratch when my husband took off when I was forty. I was on disability and had been for almost a decade. I had to start to build a career from almost NOTHING. I did it. And here I am, twenty years later, having to start from scratch in a different way, so I will do it.

It isn't about the poverty; it's about having a sense of purpose. I have that now, and I have some financial security for a couple of years, at least. Who could ask for more than that? I am a lucky woman; I keep writing that, I know. But I feel it all the way through, and I think it is a healthy way to feel. It's up to me not to squander this opportunity I have.

An old friend, told me that all he wanted for me was to be able to get up each day and choose whether I wanted to write or to paint, or whether I needed to simply rest because of my back. He said he wanted me to be able to choose how I lived my days without having to be so worried all the time. Well, his wish for me has come true, and I did not think it would.

I have an exciting year ahead to look forward to. I find the thought of being sixty kind of freeing. I am not sure why yet, but undoubtedly I'll babble about it at some point. My "other big sister," Nancy will be seventy. She's not old, either. She volunteers in two organizations, works part-time because she wants to, travels to marvelous places--in another year, she's going to go to the Polar Bear town in Alaska... My Aunt in Alaska's 97. Yes, she IS old, but I love listening to the wanderings of her mind when we talk.

She begins on one topic about a friend, then skips all over the place, but if I wait long enough, she always returns to the place she started... and it's always a marvelous ride along the way. Hmmm... I think that's the whole point to living creatively, perhaps. The ride's as important as the destination, maybe more so.

END of this ramble. Happy New Year! (I may revise this three or four times after I publish, but I just want to put it out there and start on my goals NOW.)

Finally! Translating inspiration into a Painting

Again, this won't be a long entry. Well. For me, it's not that long. Oh, who am I kidding? It's long.

Writer's Block Is Painter's Block
I have been blocked at the painting table this last week.  I have been dreaming paintings for weeks, but the moment I sat down to paint after the week of storm chaos, nothing.

I sat with my taped down paper, all my beautiful brushes, my tissue papers, everything out for me to use and... nothing.

The demon voices from childhood clamored instead, in their original forms and in the "grown up" permutations.

"You? An artist? Your sister was the artist, not you."  This voice is the counterpart to the "You? A writer? Daddy wrote the book. You haven't published a goddamned word, except for that Stanford stuff. Advertising, really. Just schlock."

Clever voices, those. You all know enough of my family to be able to figure out how those got there. And here is one of my favorites, interchangeable for singing, song-writing, regular writing AND painting. I call her Mom's 'Demon for All Seasons.'

"You just like the sound of it. I am an Artist. A Writer. I am apart from the rest of you somehow. Who do you think you are? You're not such a much, any more than anyone else. Do something real with your life. Something practical. If you won't be a teacher, get into banking, or something that will pay the bills. An artist. Save that for the weekends."

That one is the age old WASP voice of New England. Modesty is THE virtue above all virtues, followed closely by practicality.

And there is the one that goes, "You know you'll screw it up. You haven't really screwed something up in a while, so this one is going to fail. Really. Why even bother?" And I sit there, with a loaded brush, poised, terrified to put it onto the paper.

Yes. Terrified. And what will happen anyway if I "screw it up?" Yes. The earth WILL swallow me whole and spit me out as unfit. Even the earth will find me objectionable. Yup. And the painting will be so awful it will confirm the other demon voices and I will never paint anything someone will want; I will never paint another painting I like; I will run out of money because I never paint another painting that is anything; I will have a shopping cart and sleep in a cardboard box and wind up having to use a  surf board with wheels to get around.

And I get so engrossed with that bizarre image that the paint dries on the brush and I start laughing and give up for the day.

That was a game Jessie and I used to play when she got into  her own "I'm a loser because I cannot write this paper perfectly" mode. We'd play, "What's the worst that can happen?"

And Jessie and I would build this elaborately ridiculous story of how her life would be over, she'd lose her friends, all of her family would reject her and--Jessie liked this--we would spit at her when she entered the room, and she would become homeless and die. This usually got her writing just so she could "Get it over with and be homeless and done with it all." (And she rarely got lower than a B+, much to her brother's disgust.)

Only with me, I would simply start laughing and then remember Jess and tear up and then walk away.

We also have the "Your ideas suck and who the HELL wants to read your drivel or see your torn paper scribbles?"

Any of these voices sound familiarly inane? And toxic?

Okay, so I do know that you simply have to keep showing up at the blank paper, no matter what. I have done that with my writing--whether it's with the work I do offline or my blog. I have looked at the blinking cursor for so long that I've written songs to its beat. Bad songs, but songs, nonetheless. In my head, where I cannot possibly see them as productive work. God forbid I should actually admit to myself that writing songs, good or bad, is showing up at the page! After all, my intent was to work on that poem I thought of when I was cleaning the kitchen, NOT some song that no one will ever sing because it is so pathetic.

Finally, we get to "You are almost sixty. Who on this EARTH will care what a sixty year old, overweight woman who walks like the Hunchback of Notre Dame has to say or paint? Where on earth do you get OFF even trying at this late stage? You are no one." Yeah. That one is my favorite.

Light through the Wall of Voices
Only finally, I hear Julia Cameron talking to me. I was lucky enough to do a workshop with her several years back. I see her and hear her voice.  "If you wait to start, then you'll be even older than you are now, so why not start?" Sometimes she words it differently, but always the point is the same. So you feel you are too old to start now, so you are going to wait even longer to do what you love? And is the only reason you do this to make money? NO. I have no idea whether I can make a dime more. And I'll certainly have no idea if I do not produce anything.

I write because it is the only way I can process my life EVER. I started my first journal when I was twelve. It wasn't a diary. It was a journal, and it's where I first wrote that poem about the old man and his shack, with the eagle. Since that time, I filled more than forty journals. I tend not to have journals per se any more. I have random musings in a folder on my desk top, and a beautiful handmade "journal" by my bed for snippets when I awaken in the morning. But writing was a habit I developed long ago. And when I peek into a really old journal I see drawings, too...

When I get to the voices I've acquired through the years that are NOT demons, I feel the change inside. I feel something fomenting. First it is anger and all those pathetic tapes that run no matter how hard I try to silence them. And I start telling each one off. You may laugh at me in this, but it is the only way I know how to ditch them. They will never shut up permanently--they are ingrained. However, I have learned how to get them to shut up long enough for me to find my groove again.  And once I start, I am very glad I live alone, because I do it aloud.

I scream at them. "Jean Ellen would be HAPPY that I am painting! And Dad would LOVE it that I wrote for Stanford. How DARE you tell me that was schlock. It was good work. It was wonderful work and IT WAS WRITING MY BEST! I can be an artist if I want to be!"

Oh, yes. God forbid I do anything quietly or rationally. Did I ever mention that when I went off to college, I thought I would be an actress? Big surprise there, right? I address them all. That happened Friday morning. I was just plain ANGRY.

The Transformation begins
And Friday night I lugged a formless, nameless painting --the one I began on my retreat -- upstairs. I did not work on the one I thought I would begin. I worked on one where all I knew is that it kind of looks like choppy water. I said aloud, "PLAY with it, for God's sake. Don't worry about what it is, what it may be, just play with it. Screw the voices. To hell with anything but the process. JUST PLAY." I stomped my foot, which, of course, hurt, but when you are six, you don't care whether or not it hurts. If you are mad, you're mad. Stomping is what you do, at least, if you are six-year-old Jetty.

So I played. And then it began to look like the Lake on a choppy day, the way it did when I'd gaze, unfocused, down from the picture window in the cottage, the one by the giant field stone fireplace my grandpa built--on the daybed, tucked there under the window, with the enormous wood box at its head, the old record player in its beautiful wood encasing at the foot. The room always smelled like pine. Sometimes I would open the wood box top and just smell. I'd climb onto the wood box, crouching, and leap from the box onto the daybed, making sure my feet never touched the floor so that the alligator under the bed could not get me; a cheetah pouncing. Then I'd lie on my stomach and slither up to the window, lean on my elbows that rested on the sill, push my nose against the glass and stare. I was a hissing cobra, and my elbows and head were the hood. But finally I would simply lose myself, seeing nothing but the water, dancing. White caps and sparkles and every shade of blue. Sometimes a maple leaf would drift in my line of sight, and I would blink.

And Grandpa would bring me back home with his laugh, having witnessed my transmutations.

And so I began painting nothing but water. I collaged long lengths of tissue with the flat side down, curves and bumps on top, in every shade of blue I could make.

When I was done for the evening, I stood my lake against the oak desk that was at the cottage, too. The one Grandpa did his paper work at,  by the one light, in the evenings. If I peeked in after bedtime, opening the swinging door from the bedroom hall, I would see him bent over papers.

"Jet. Aren't you supposed to be in bed?" I would see an eyebrow raise and I would giggle and run to my room again.

I played last night, too. And again, for just a little while this morning--long enough to get that darker blue just so, there, toward the top, to balance something or other that I cannot name.

But now I have to shower and get ready to go tutor my nephew. He is working on an essay about the difference between Lao Tzu and Confucius. And then he needs help understanding Mendel's Principles and how to make and use a Punnett Square. And he wants to get the jump on mitosis...

My brain will hurt by the time I get home on Monday, so I will leave my playground upstairs for now, so that I can use it and recover.

But here's my point. I am working on a painting for real again! And I like it. And maybe no one else in the world will like it, too, when I am done, but it does not matter. And that's the point, isn't it? Today I will be doing something that matters for and WITH my nephew. We manage to have fun in the misery of it all! I love science, which is why I loved my work for Stanford. All of it is real.

Life's a gamble most of the time, isn't it? Every day it is a 30-70 shot whether or not my legs will work. The odds are in my favor, but as the day progresses, the odds shift drastically. Yet I get up. I show up and I make them work. I'm not so sure that my painting and my writing are so very different. I have a friend who asked me why I bother trying so hard to keep walking, since I cannot do the things that are FUN--hiking, going to art shows and museums, taking a trip to New York and things like that.

I walk because I can. I walk because I can still take care of myself as long as I keep on walking. I'll do other things for fun and take the trips inside my head. And I don't know what I might miss if I STOPPED walking just because it's hard.

What will I miss if I stop writing just because I don't know whether or not other people will want to read what I write, let alone pay money for it? And what will I miss if I stop painting? I remembered my grandpa again. He lived for me as I painted. I had not thought of those days in a long, long time. I can smell the cottage again. All from playing with my papers and paint. What will I be missing if I do not try to paint the autumn leaf that will drift into my view, there, over the blues of that water? What will I remember when I paint a few sparkles there, among the white caps?

I don't know. It isn't worth the risk, the not trying. Isn't that why we do what we do? Isn't that why we search for the picture to snap? The painting to create? The story to tell? Is that why the Stanford professors just had to start another business when the first, second, and third didn't quite work? Are they afraid they will miss something important if they do not take the risk?

Somewhere or other, with people who are driven to create, to explore, the risks of missing something outweigh safety. I don't think that would necessarily be the right thing for every person to do, but perhaps it is what drives some of us. I don't get a rush from the risk itself; I get the rush from the process and then something indescribable when it works. I don't like the uncertainty, actually. I hate it; but I need to do it anyway. It has little to do with courage, though. I simply love to fly.

Not an original thought among any I wrote today, but they are the thoughts that get in my way, and the thoughts that take me home ... and the thoughts that allow me to fly.

What about you? what are your demons and what thoughts are the sails that catch the wind for you?

Oops. I had best at least get my shower taken! Have a wonderful couple of days? (well. More than that, but it will be tomorrow night before I get back.) Editing will not do for today, and I hope that I read about your demons and what you do to shut them the hell up.

Showered, dressed, and studying my Mendel. I had to turn my painting to the wall, so that I am not distracted. Bye for now.

When I Awoke to the Notion of Being a Writer

Last week I unpacked a box that had my very first short story, written when I was in sixth grade. My mother had kept it. She didn't keep everything each of the four of us did; she kept the things that stood out.  "Rita" was the name of the story, and there was a picture of a dark-skinned girl with long dark braids and clothes that were too big for her. When I read it, a memory flooded back with such pain, that I had to stop.

Then I marveled at what I had done, and I remember that this was the year I thought I would be a writer. My first poem was there, too.

Loneliness
The old man walked out of his shack.
Surveying land and sky
He smiled.
A lone eagle circled into view,
Wheeling and soaring with joy.
It dove out of view.
The old man stood still for a moment.
Scanning the sky again,
He sighed.

And sighing again, he walked in.
(1964)


I remembered our teacher had assigned us to write as many different poems as we could in two weeks, and to include them in a booklet of poetry we liked. I thumbed through and found I had written seven more, but they were mostly an exercise in learning how to use a Thesaurus.  My teacher had written "Oh, my Jeannette. This is special" below that poem. And Mom had written "It is, honey" under that. She must have written that when she stored it away with my short story.

"Rita" was about two little girls in third grade. Our heroine, Annie, had befriended Rita when she entered school in November, wearing a thin skirt and blouse. She had no coat. Annie helped her when other kids laughed at her, worked with her on spelling and reading. Rita had trouble speaking English because she was from Mexico. Annie helped her all year, and gave her some of her own hand-me-down winter clothes because Rita's parents didn't have money. Rita moves away at the end of the story, and Annie says, "I always missed her after that. It was the one year where I wasn't lonely."

I had gotten an A+ for the story. No one ever asked me how I came up with such uncharacteristically somber stories, or questioned whether I was sad or anything.  But that story struck home, and to this day I remember vividly the true story... Susan Hoyt was the new girl. And it was, in fact third grade.

***
She stood in front of the whole class that November day, with Mrs. E telling us we all should feel sorry for Susan because she had foster parents whom she would talk to and set straight about sending her in with proper clothes.

"Now, Susan lift up your head and for Heaven's sake, get your hair out of your face." She got a barrette out of her desk and, not particularly gently,  fastened Susan's bangs out of her face. So now, Susan not only had on a very large puff sleeved blouse untucked, with a skirt that had slid to her hips, but she also had a wing of uneven hair sticking straight out of the left side of her head. The class giggled, but stopped with one look from Mrs. E.

I swear Mrs. E could have stopped a police car in the middle of a chase with that look.

"You know how it goes. I need a buddy to stay with Susan for lunch. Someone she can get along with. Jeannette, you seem a good match."  Mrs. E did not like me, and not many kids did, either. I didn't fit in anywhere, but mostly it was okay. Except when she had weighed me on a cattle scale with G.  We were so big, she said, it's what we should be weighed on. In front of the whole class.

That had backfired, though, because three girls thought that was so mean, they actually started hanging out with me again. They had in first and second grades, but in third grade, when I got kind of big, and mostly I didn't have clothes like them sometimes, they stayed away. But not now. Now they remembered I'd been their friend before, and they would play with me sometimes. The only girl who never deserted me was Paige and she and I played lots of times.

Still, sometimes at school--well, I knew what it was like a little bit for Susan. I didn't really mind being her buddy.  That was the beginning of a relationship that stayed with me the rest of my life. Susan was from Kentucky and her English was very odd. She hesitated when she spoke, and kind of hunkered down when she talked to adults, like dogs do when they are not used to people. I got assigned to work with her for spelling, for reading, and for arithmetic. I think it mostly got me out of Mrs. E's sight and she liked that.

I know she didn't like me because even though I got good grades she always wrote things like, "Jeannette just doesn't seem to play with the girls properly. She plays with the boys, playing kick ball instead of jump rope."  or "Jeannette must remember she cannot be the leader for everything. She must learn her place." Huh???

My mother didn't care for the comments and told me not to pay attention to them and just be myself. That was okay by me.

So Susan and I would work in the back of the room for the last hour or hour and a half of every day. It kind of made me mad sometimes because that was when we had art or music, so we missed it. After a few weeks, though, something changed and I decided that Susan and I were sisters at the soul.

My mom and Paige's mom had put together winter clothes for Susan and they FIT. Her foster parents, which my mom told me were parents that the government assigned for children who were alone, did not buy her anything it looked like. And along the way, five moms sent lunches in with their kids, for Susan, one for each day of school. Susan took to smiling sometimes and she was kind of pretty. I was jealous of her thinness, but one day she told me SHE wished she wasn't so thin. She never said more than a sentence at a time. It was too scary, I guess, but I wasn't sure why.

Until one day.

We were working on a story about a big brother being mean to his little sister and how he had to learn to be nice. After the usual struggle to learn the words, I had Susan read it aloud one more time and she did it perfectly. At the end it said, "And Timmy gave the puppy, his very favorite puppy, to Mary and said, 'Here, I think you should have this one,' and was never a bully to her again."

Susan started to laugh a little. I looked up at her quickly. "He wouln' do thet." And she gave a short, bitter laugh. I said, under my breath, "no kidding." We looked at each other straight in the eyes for the first time, sort of wide-eyed, like deer, and we both laughed until Mrs. E told us to shush.

And I began to pay attention to her more. Things were easier between us and we would joke once in a while, even.  Kids stopped picking on her. They ignored her, but, as I told her, "That's way better than when they notice we're different, you know? First they get used to you, and don't worry, eventually most of them get nicer."

About two weeks after that first story, we were deep into arithmetic. I was trying to show her the fast way to understand how to know the answer to her 9 + table, when the door opened with that nearly silent motion of air that said someone was sneaking in. Susan and I both jumped and turned to the door at the same time. Susan dumped her book on the floor.

Our principle said, "Girls. It's just me, for  Heaven's sake. I didn't want to disturb the class, but I guess it didn't work."

Everyone laughed but us. That's when I knew it. Neither of us liked that sound, the barest click as the latch button went into its part of the door, and that minute when the air enters just before trouble. Susan looked down and she was shaking.

I wasn't shaking on the outside and I just said, "no, Susan, it's safe here." She looked up at me and smiled and I smiled back, but I was sad. Sadder than when she'd stood in front of the class. Sadder than when the kids had teased her on the playground and Paige and I had brought her over with us to play our imaginary dinosaurs game, far away from the crowd. Sadder than when I realized she never had lunch.

When I went home that day and up to my room, I saw that the pull lock I'd put there had been taken off again. I sighed and went to see how Mom was. She was in her chair, half asleep, the glass of golden liquid on her side table. Dinner would be inedible again. "Is Daddy coming home?" I asked.

"No. He's away on business again." Right. That accounted for her, although sometimes it seemed as if there was no accounting for Mom.

Jean Ellen was at college, so I had my room to myself. A couple of my friends would say how lucky I was because they had to share with their baby sisters. Lucky. I guess.

Jack was as sad as I was at dinner and we looked at each other, lost. Mom had burned dinner but we always had to eat it anyway because "food didn't grow on trees." I think that year it may have been starving kids in Biafra, but I am not sure. I managed to avoid going to bed for a whole half an hour past my bedtime, but bedtime came.

About an hour after I was in bed, eyes wide open, the tears filled my eyes and I wondered if Susan was thinking of me, too, as I heard the too-quiet sound of the door opening, and felt the air attack me just before Jim did.

***
Susan moved away that year. My mom told me that she had been put with other parents because she had been hurt in that house. She sputtered about how anyone could hurt a child, and I remember just getting up and walking away.

By summer of that year I had forgotten all about opening doors. My sister came home. And the following year, for some reason, I took to taking a steak knife to bed with me, but I had blocked out the why of it all. For a long time, that door did not open again unless I opened it.  Which was pretty much the case for my memories of that year at home. I remembered only what I chose.

And in sixth grade I poured out the harmless part of the memory, but kept the loneliness I felt that was visceral and always there. It truly was the time when I decided I simply had to write. I had to. And I never stopped.

What about you? 

Was there a pivotal moment you turned to your art to express something deep inside? Was it a sparklingly beautiful time? That would be wonderful to read about.  I do not assume one has to suffer to write or paint or sing or dance or ANYTHING. But it was my moment.

I don't jump at the too small sounds of life any more, though. For which I am grateful beyond all words.

Why Part 2 is delayed--a GOOD reason

I was distracted. TOTALLY distracted. I am about two/thirds done with a coral painting and I decided to give you my work in progress. As you all know I do not have a camera, and the original is about 18 by 22 inches. I had to scan it in seven sections, then tile and blend, and LORD. Anyway, here is a rough idea of what it looks like. Let's see if I can get this inserted properly.

Well, I am not sure how to insert the picture in the right place, but it doesn't matter. I want to put in a particularly lovely coral called a gorgonian fan. It is large, very lacy, and has distinct veining. I have some more subtle touches for othercoral as well, to get the soft coral contrast to hard coral, but perhaps you have an idea. The detailing is left out in some areas because I had to reduce the size of my file. Life with computers. Anyway,  I got so excited when I figured out how to get the effects I wanted that writing flew out of my mind. I bet you all understand.

Oh! There. I fixed it. Simple enough and good enough for my needs.

EXTRA NOTE about the pieced together scan: the water is different. It does not have the puffs effects, but, instead, looks like water instead of sky. The scan bothers me that way. I got tired of tiling in scans that ALL had different color intensities and the sea was just AWFUL in my scan, but i see that in trying to just throw sea in there, it's not right. Oh, well. I am writing this when three people have given me wonderful feedback on it, but it's bothered me since I made the document! Okay. Enough. AND, now I have the gorgonian fan corals on there, and have started placing "orange basslets"--a golden orange fish that is longer than it is wide. I may put a couple of the butterfly fish in it. By the way, the particular colors and corals were inspired by a picture of a Red Sea coral bank. Apparently they go nearly to the surface, and down as much as a thousand feet! Why I have the fascination, I don't know--the gardener I think.

In the meantime, back in "Runaways to redbank" mode....

You will be meeting the Da Silvas, who remain a cacophonous, marvelous blur, as well as a gentleman on the boardwalk who looked like Burt Lancaster in Field of Dreams, a buttoned up grandma with perfectly precise pixie haircut,  playing whiffle ball in her pleated skirt and blouse with the Peter Pan collar, a couple who found both me and my penchant for taking pictures of sand formations somewhat odd, and a furry gentleman from some country that borders the Mediterranean Sea, who thought I should spend my fiftieth birthday with him because he was just such a durned stud. I don't know... they FIND me. Plus, I'll throw in whatever flies into my brain. I am undoubtedly blurring my trips into one endless adventure, but I'm sure I really don't care. The incidents live as if they were yesterday's vacation. I doubt you all care, either.

I also started writing plans for running storytelling techniques for nonfiction workshops out of my home... early on I know I referred to my friend's book. I'll get to that another day as well. I don't want to make my fortune doing that... I think it would be fun, and I would like to have it be something that has the potential to be ongoing and pay me enough for the planning, the hosting and, well, thinking to do it. And I would not compete with published authors--it would be a discovery opportunity for all of us, perhaps. We'll see.

As you can see, though, I've not been absent because of some sort of relapse into morosity... I KNOW the word is "moroseness," but I prefer my word. I did, however, decide that my one big gift to myself from the back Disability money would be a GOOD recumbent bike. It is the one vigorous exercise I can do now, and when I can get to the gym, I really work at it, riding at levels 16-20 for a full 50 minutes. I love the adrenaline rush. Oh, hell, it seems ironic in the extreme that a woman with the heart of an Amazon was put into such a fragile body. On the other hand, I may just have the strongest back on the planet, to have withstood so much and STILL support me enough to keep walking... albeit a tad oddly at times, and not for long periods.

Non-Sequiturs R Us
I am rambling, aren't I. I have never been diagnosed with any sort of bipolar disorder, but I find, when I am truly myself, when my body gives me the most trouble, my mind gets manic. The painting I have included has been done in fifteen minute stints over the course of ten days, with only one day off... and I have probably painted 12-14 times a day, with breaks in between. PLUS I made a homemade shepherd's pie--cooking the lamb ahead, boning it then skimming off ALL fat, caramelizing vadelia onions in sherry and garlic with shitake mushrooms, layering the casserole, making mashed potatoes to put on top... it's a long process to do it the old-fashioned way my mom did, so it would never be greasy.

What else did I do? Tutor. But mostly paint, cook, draw up a little business plan and research and order my bike. Sorry I have not written, but ON to reading what YOU all have written. Did I say before how great it is to be back in here? I have an ongoing argument with a friend who just loathes computers. She feels that all connections that are made and remain online or virtual are not real. I've given up arguing but have told her that I'd have felt hopelessly cut off from the world without my computer. Blogging, to me, is the modern equivalent of old-fashioned letter-writing and correspondence friendships. We can do it all faster, and there are "social networking" venues and business networking venues. And there are blogs, which, for me, are satisfyingly rich and varied. Words from people who think and write differently from me--this is SO important. To think, to wake up, to learn. And if here and there someone has pretended to be from a country he or she is not from, oh, well.

That's all for today. No. Really. I promise.

Jeannette's Wild Life: Part 923.7

I was going to say that here and there life takes a new turn, but when I look at my life, that seems a tad absurd. For me? Here and there life moves straight forward...

I am inserting something here, so you realize that I DO love life. I have learned along the way... And I will continue to learn. Without writing, art, music, friends? Yeah, all this would be bleak, but this entry is about learning to write WHILE I process, not just afterward. And I hope that more than "Ain't it awful?" comes through. It IS awful, but life is hard sometimes. And what I want more than anything is to burst through, like a phoenix, on the other side.


Thank you so much to those of you who have written to say you missed my writing. When you read of what is going on for me, you may realize, I hope, just how grateful I am to know that my writing and my heart touch some people out there.  That my style of expressing myself resonates.

I will write again that my blog is not so much about trying to gather a following as it about trying on my voice. My dream is to write my memoir. (Okay, so one of my 150 dreams, but who's counting!) My passions are writing for "myself" --the blog, poetry, and even working on some fiction again--and painting/drawing. And singing. I don't think I have mentioned that  I sing. I was in three choruses at one point, and I also have always loved singing folk/folk rock/country rock... Oh, seventies stuff, basically. I am lucky that I love so many things, but sometimes it has felt that obstacles were overwhelming.

I'm sharing the story of my health here to simply talk about how things truly are. I am so tired of pretending I'm stronger than I am. Part of my story is who I am now, not just my past. There may be suggestions for work, for opportunities, or simple words of support, just as you have already given.

You all have been wonderful to me; my friends know my health and where it trips me up and where, now it has slammed me upside the head with a plank.

Indulge me, if you want. Feel free to stop half way through and run screaming into the night!

The Long Road Here – the lesser of ten evils

About five years ago I got the shingles on my auditory nerve, right where it touches the trigeminal nerve to my face. It set up a response that never went. Certain frequencies set up vibrations which overstimulate the trigeminal nerve in the right side of my face. I will get horrifyingly sharp pain in my face that makes it twitch and it looks to others, as if I am having a seizure or a stroke. Then my face goes numb and droops. When sopranos sing I run for cover. I cannot listen to live orchestra music. It ended the part of my life that had given me the most joy--becoming part of the greater whole, that ONLY being part of an ensemble brings. Blending in a chorus allows us to lose our sense of self and become something that simply soars.

And just like that, the music I had was gone. I knew no one with whom I could sing the other stuff, but that's a different joy. Until the last few weeks, I thought that was the only one of my passions, however, at risk. And I had found a way to replace that loss with painting...

The Big Stuff

Then there is my back. I had eight back operations in four years, back between 1980 and 1984. I have spinal cord damage. I had scar tissue and disk fragments in the spinal canal. Once you need to actually intrude on the canal? It's all a crap shoot. I had one of the top five surgeons in the country do the last five operations. His replacement was in on the last operation, the ninth, in 1986, two and a half months before my dad died. I was told I'd likely be dead or wheelchair bound by forty. I am fifty-seven. I walk... kind of.  I walk enough, let's just say. NO. I walk AT ALL. It is everything.

I have been on disability twice, and both times I worked my way off of it. I created a career from scratch when my husband left me in 1992, one month after a tenth procedure...

I learned to use a computer and was a computer graphics/layout artist for about eight years.  I learned how to draw maps and convert CAD drawings. I did pen and ink thumbnail sketches for brochures and special tourist catalogs, would scan them ... and I had the opportunity to write FOR MONEY. Woo HOOOOOO! I wrote the history of the area in which I lived for a visitors' guide and did about seven or eight pen and ink illustrations for it. I was able to work partly at home, partly at an office and gradually found a way around a body that, basically functioned in one to one and a half hour "upright bites."

When I wrote or drew, I set an alarm at home for an hour, after which I would wrap up what I did, then literally lie down for forty-five minutes before I began again. That way I could put in an eight hour day over the course of twelve or fourteen hours. Mostly I worked no more than six hours that way.  On the days I went into an office, I did my best to work four hours straight. It hurt. Once in a while I could do more. But it was okay because I could rest most of the next day. The trick was to command enough money per hour, eventually, so that I could earn a living without working full time.

It took me until 2002 to succeed fully. I was thrown off of Disability before then, but when I finally got to work for Stanford? When I got my first big contract from them, while I was still doing a bit of design work here and there, I felt as if the world was opening up for me. I was paid to go to California, to do consultant work. And I wrote. That wound up being all I did. I got the commitment because, in a crisis, I was able to dive in and take over the graphics component and do the layout for their print catalog, at a distance of 3000 miles. I was fine about just pitching in when their graphics artist took a vacation at a critical time. Stanford saw that I didn't think of them as a client--that I treated them as if I were part of a team, and I began to get huge contracts. Huge for me. At that moment, too, I realized that I was a writer who could design, rather than a designer who could write.

That's crucial. It tells you about who Jeannette is. I am a science geek. A groupie. To me, interviewing Donald Knuth, Bob Twiggs, Dan Boneh--giants in their fields of computer programming, aeronautics, and computer security--and writing about their work was like writing about rock stars. So I got to write about other people's passions, indulge my inner geek, AND get paid? Wow. I was living an old dream, earning my living as a writer. How proud my folks would have been, particularly my dad... the one who knew I was not destined for nine to five.

Okay – Here it Is, the Unforeseen Toll

What I did not see? Through the years, inch by inch, that alarm clock had to go off sooner. It went from an hour and a half, to an hour, to forty-five minutes... When I stood for more than ten minutes, somehow or other I had to find a wall to lean against, a table to hold onto... When I grocery shopped, I would lean fully forward to support myself on the cart as I walked, and the stores seemed to get awfully large during just one shopping.  The pain increased.

By 2004, though, my contracts fully supported me. And I was singing, which mitigated the pain.  I felt something was missing, but I didn't know what, exactly... and then things turned. The shingles hit in March of 2004 and nothing was the same again. I had vertigo. I could not even hear a phone ring without setting off the facial nerve. Yet I continued to work, writing and writing for Stanford. I could not sing. I stopped my poetry. I could not listen to any music at all. My sister was getting stranger and sort of drifting off, but was pretending she was well. And I couldn't figure out why my legs would get shaky.

I wrote it off to stress. Ever notice how easily we can say, oh stress makes me nuts. I mean, it DOES. But sometimes we need to give ourselves some attention beyond that. I'm a good one for feeling that I am not tough enough. In 2005, the autumn I had three things happen at once. I like this in life. I believe if it's all going to hit the fan, hey, throw it all at once. Why lose the opportunity for the drama? I had chest pains, I started falling for no reason, and I had blood appearing in odd places.

Oh. And my sister had started staying in her room in the other half of her house, for days on end, speaking to no one, and coming out of it only to use the kitchen, or walk through my half to go to the store or to her friend's house to do laundry. (Had to get to the garage by going through my house.) We thought I had heart problems. My heart rate was out of control. Fortunately, my doctor thought to check my abdomen and we found that my gall bladder was shot. And I had the precursors to ulcers.

And my spinal canal problems had shockingly deteriorated in the three years between MRIs. And the problems of trigeminal neuralgia and the vertigo from the shingles? They never went away.

We fixed the gall bladder and I made changes for other digestive situations through that autumn and up until Two weeks before Christmas. I was in PT to go through my second round of training new nerves to move my right leg, to learn how to walk. This set of nerves really doesn't like it all that much, but it works enough.

And I realized that my sister had done nothing for Christmas. Just as I had when my dad was dying, I took over to make our traditions happen. And after Christmas my sister fell apart and was diagnosed with terminal cancer.

Okay, Your path is winding,
but where the bleep are you going here?

Why am I saying all this? I never was able to work regularly again. Sporadically, yes, but I had to put myself on medical then  the kind of leave where you take care of a dying parent. My sister died on August 31, 2006. My son moved into her part of the house the following year. It took me nine months to clean up the mess. It was not her fault. Not even remotely. Her cancer had infected her brain and we'll leave that story for another time.

I had some more work from Stanford, some isolated illustrations, but I had a lot to look after and had to recover from the roller coaster that began with shingles. And I had had no time to truly understand the problem in my spine.  I have bits of calcified scar tissue and disk fragments floating in the spinal canal. They move around and rest at horrible places. I had been in pain for decades, but nothing like this. And various parts of me will suddenly not function properly. I also got bitten IN THE HAND--left--by a dog and have some minor residual damage in that hand. And I have the pain in my face that can be set off even today by a backfiring car, the microwave, occasionally the phone. I had to figure out what to do.

Why the detail? I think it's to eliminate the notion that there is anything medical left to consider, to make it plain that what is happening  now is the best that things physically will be. I must accept it, then find my ways around it.

You all know I created the studio. And I had planned out my wonderful art workshops, but the neighborhood blew that. THEN, miracle of miracles, Stanford called. They NEEDED me. Well, of COURSE I could do that. And I dove in, feeling I had been rescued. it was my lifeline, I thought.

In the past three weeks, I had to face the painful, terrifying truth that I cannot do this any more. That alarm clock? I really should not work at the computer for more than 25 minutes at a time now. Sitting or standing, it's the same from my back's point of view. I can stand for about a minute before the throbbing and swelling set in. If I have support I can go further and longer. When I walk on a hard surface, after about 100 steps, the foot begins to flop and I walke around swinging the leg, saying, "ARRR, maties." One day when I was "running" into Walgreen's to grab a few things, the leg didn't work and I realized I was singing, OUTLOUD from a sixties series, "They call her FLipper, Flipper, slower than honey..."

Yeah. Well. I think in television theme  and seventies hippie songs, and that's life. Deal.

It never occurred to me that more than my legs were affected. But I found that pain set up a neurological haze through which I just could not focus for long... not and access the right brain. I found that because that alarm clock of pain for sitting was so compromised, I spent too much time resting, then had to catch  up. I forced myself to focus those forty-five minutes at a clip and for the first three or four pieces, I was great. And I still had a talent for interviewing. People relax and, after about twenty minutes, the really cool stuff happens. They get off the PR line, their set ways of presenting themselves. But the toll was building. I try not to take my medication when I need to write, because there IS that half hour window when I am a touch loopy. It is best to be lying down, and to let it do what it is supposed to. After that, though I'm fine and I paint, I often do my best poetry and right brain work.

But for the work that has supported me, I found I could not organize the thoughts well. It took me a long time to get back INTO where I was going. And the pain was building. And suddenly, because of blasting and work that made my house literally vibrate, the calcified fragments moved. One day my right hand got tingly and went numb. I had trouble moving my two last fingers... Now, mind you, because of the dog bite on my left  hand, every ten minutes or so, I will suddenly raise my left arm and shake my hand. The last three fingers get super tingly and when I do that, and flex them and such for no more than thirty seconds, then they are fine again... for ten minutes.

But it didn't work on my right hand. And the pain...

The fragments shifted again and now my arm is okay, but it took nine days for it to return to normal. The horrifying truth was that I no longer could be relied on to meet my deadlines. The problems in my spine are too unpredictable. the pain is too severe. I had to let go, yet again, of something that might have supported me.

There are no solutions for my back. I have beaten all the odds the doctors know. As the last one said, "I think you know your body better than any of us. You are a walking miracle and if any surgeon tells you he or she can fix this? RUN, limp, or CRAWL out. Don't let anyone open up that spine again, unless it is life and death. I am serious."

What Now?
Haven't a Clue, Except I Have to Write

That's why I haven't written. For a few days I couldn't. Then I just did not know how to deal with it. I don't know how to, still. It is all too raw.

Why tell you all? Why not? If my blog is about writing from the heart, writing the truths of my life, well, why not do it? I haven't the objectivity to edit this all, yet, but so what? For once, right here, as I am today, I can share all of it with you. There is no shame, no guilt to this. There's nothing that I have to worry about saying because it is  public.

Sometimes simply writing it down makes it real. To move into full-blown hope, first we have to understand our reality. I process all things by writing. This time I am experimenting by doing that with all of you. This time I am trying to fold it into what I already do.

I hope you will all hang with me on this blog.  I still want to paint, to tutor and to write my memoir. A lot that has happened in my life has made me strong, has given me hope, has made me know that life is something onto which you grab and really hang on. It is a wild, roller coaster ride through a jungle, into space, under the sea, and around again. I wouldn't miss a moment.

Only just now? It sucks. There. How eloquent. How refined. It does. I need to find a way to support myself, but I also want to write my story. My mom's story. A story about a family that was big and loud and completely dysfuntional and overflowing with equally boisterous unconditional love, joy and magic. THAT is my life's work and I need to find a way to do it. My parents' story, our family seen through the eyes of Jetty. Jetty was my family's nickname for me, the baby.

I am all who is left.

The Blog, for ME
This blog is my way to bridge my life between the struggle and the dream.  I usually try not to write about my crises while I am in them, but I could wait a long time before this one's done. And, while you will not see me writing much about this again, I can write about other things. I have perspective on my family, on my history in childhood. And I have not lost my love of... pluots? And all things visceral, messy, juicy, and joyous.

But I hurt. I hurt a lot. And I am afraid. Why wouldn't I be? To deny that it is scary to be without work, without new funds, to be facing possibly losing this home I love? Yeah. That's big stuff. I finally have a studio and may lose it within six months. Yet I have to focus elsewhere. I need to believe that the writer and the painter and the woman who loves life and all it brings will find answers.

But I will tenaciously cling to the hope that I can write my way out of the rest. Love my way. Paint my way. Tutor my way. ALL of them

Okay. this long ramble is done.

And I'll be running around looking at and commenting on your blogs soon. Bless you all for giving me your support, your concern. It means more than I know how to say.  We are strangers to one another, yet we all speak through words or pictures or both, to one another in intimate, profound ways.

In the meantime I will do my version of prayer. I will still the cacophony in my head and I will breathe. I will ask only for the calm, and for the wide open heart, ears, and eyes to feel, hear, and/or see solutions as they are offered to me.

And I will see whether or not this first for me, helps... It's standing  on the edges of things and opening my arms wide and trusting that I will not fall. Simply trusting.

Small PS

One of my closest friends told me I should simply write from my heart and offer it here. He said that I just don't know what good will come of it. He is prejudiced, of course, but just because he loves me does not mean he is WRONG! Thank you. Already, just putting it out there, helps. You were right.

A New Month, a Fresh Start and Writer's Block

I have the feeling a weight has been lifted. My friend who had the stroke continues to improve, albeit slowly. We do not know how far his recuperation will take him. He is six foot four and cannot use the left side of his body, and has impulse control issues.

There is hope, however. And for now, that is what we will hold onto.

Thank you to those who still check back. I suspect I'll be back to my more normal blogging every week or so, very soon.

A Silly Ramble for Today

Today, I'm thinking of writer's block. For real. I have been kidding around on Facebook about how one can USE distractions to let things percolate and foment. I know the gist of what I want to say, but the words will not come. I want to meet my self-imposed deadline of Pacific Time 9:00 a.m. Noon, my time. I will be up all night I think.

We sit our butts in the chair and try. I wrote about five paragraphs of drivel. Incomprehensible drivel. Yet somewhere in those 450 words, I found about twenty I really like. Twenty words on which I will, I think craft a small, inconsequential release. Yet, perhaps the key to writing for a living is that I NEVER believe any little piece is inconsequential. While I work on it, that one release, be it 300 words or 700, is my novel. It is make or break time. On my release rests the future of this Stanford program.

Do I know that's a crock? Of course. And yet, I know also that putting myself into the work as if my soul is at stake keeps Stanford coming back. I care. I couldn't do this if I were on staff. I'd have to crank it out. They count on me to care more than they do, ironic as that may sound. Their standards are lower for what I do than my own are, and that's a good thing.

Somehow, though, I need to learn to dial it back just one notch. I do not need to make myself crazy. I need to breathe and enjoy this crazy process. I don't need to be crazy. Strange thing, making a living as a writer. Would that it were from my poetry or fiction, but it's not. I write releases and spotlights for programs in engineering, business, science, and international security. It is not glamorous; but I meet extraordinary people. I have to promote their work and try to make others want to study with them, go to seminars conducted by them, take programs online presented by them. I need to make a potential student who is surfing, searching for a certain type of training or, more importantly, education come to Stanford Center for Professional Development.

I try to get engineers to fall in love.

It's not easy; it sure is fun. I forgot that today, that it is FUN to do my job.

I will put the coffee on and stay up until I have a rough draft. I will sleep a couple of hours, get up again and smooth it out. I know it will be fine, but...

What if I blow it? What if they find out I'm a fraud? What if it is not perfect? I may write the perfect party to which no one comes!

We writers are really silly. The conceit. The insecurity. They are bound together in this process -- on a blog, in an essay, published for money, published for free, with or without our byline. We write with the goal to simply knock others out with our wonderfulness. Reach in and touch a soul. Reach in a pocket so they'll take out their money... not glamorous. Even when we say we are writing just for ourselves, if we are putting it online, who are we kidding? We want to be read, and we want people to love what they've read. And there's nothing in the world wrong with that.

I care about lifelong learning. I market only what I think matters; it's how I can agree with myself to market. I learn while I do this. I learn to write better, and I learn about all sorts of wondrous things. I had to make that choice, to write to promote only what I thought was worth promoting. I just couldn't sell water heaters and cosmetics. It wasn't me. And perhaps I would have earned more. So much of life is compromise, learning where our boundaries lie. This is okay; THIS is over "the line." The danger is in judging other people's lines, and in not seeing our own inconsistencies in this writing for money, writing to spec.

So much of writing involves my ego and I can get lost in trying to make something about it far more noble than it is. In the romance of being the writer. Fade out in the garret. I sit in half-light, in my garret window seat, agonizing over one word, chewing on the tip of my quill.

oh. Wait. I have a computer.

So much for the romance of it all. I can wax on forever. I won't. What it boils down to is this: I have to get the thing done so I'd best get to it.

***
My mom called me her biggest project ever. And she kissed me on my nose when she said it. She also told me I was her greatest unfinished work.

I don't know about the greatest part, but unfinished? That part's still true.

Get the coffee, Jeannette, and get to work.