Accidental Spring

Accidental Spring
"Accidental Spring" This began as the background for painting other papers, but became something else!
Showing posts with label growth. Show all posts
Showing posts with label growth. Show all posts

Sunday, January 1, 2012

New Year's Path; Old Year's Victories

I think I have written before about what I try to do every New Year's Eve, but what the heck. I will write about it again...

Last Year Is Done: Let Go of Missteps, Keep the Grace
I take a serious, long look at the year that is ending, reading the goals to move toward a more desirable path, and trying to honestly see how far along I have moved in that path and whether or not it remains a valid guide for what comes next.  I also write down every single misstep I believe I have taken with somewhat brutal honesty at times.

Then I read those missteps aloud, pausing after each and I systematically tear up the list into as tiny pieces as I can and I throw them away. Sometimes I put the day's coffee grounds on top of them, just so that I feel I have thoroughly obliterated them.

Finally, I write what I feel I have accomplished on the left side of a piece of paper, as well as all the good things that I feel have happened TO me--the serendipitous gifts, or points of grace.  Some years I have had a terrible time finding either, but more often I find that it's easier to list points of grace than accomplishments.  I tend to minimize my role in anything good. I have noticed this in the last three years, most particularly; I had far less trouble finding my flawed acts than giving myself credit for anything.

Bit by bit, though, I got better at that.  In 2010 I managed not to blame the house not selling on me. I gave myself credit for readying the house for market, for making some progress in some self-destructive obsessive behaviors, and for forgiving myself. Never before had I listed that as a positive accomplishment, but I finally saw that I would have appreciated this in other people--why not myself? But enough about 2010. It was a terrifying and painful and difficult year.

2011 began differently. The list of graces was enormous, but I saw that I felt I had accomplished a lot as well. I had returned to my blog, exceeding my target of 26 entries for the year. I had finished two more paintings and have five in the works. I let go of worrying about how much money I would have after paying off all my debts if the house sold.  I changed the dynamic of a relationship that was truly codependent. I found the core and the structure for my book. I began to exercise again, if somewhat sporadically so far.  All of my baby steps had added up to something.

Baby Steps Matter! From Broad Strokes to Filling In the Details...
I have overlooked the baby steps so often in my life, not recognizing that they added up to moving along a path I valued. The path? To live more creatively and closer to the bone of Jeannette. Who I am, rather than someone I think other people will approve of or like. Living my life out of loving rather than being loved. (That's a kicker, and I cannot say that I come close to living that way, but it's a pretty worthy goal I think.) That little girl who kept company with the mice in the traps, who talked to them and loved them who somehow got it that loving things was an answer to something scary ... she was only three and understood how to do that.  In some ways, the path I wrote down to work toward in 2012 is hers.  The path is the elementary school girl who wrote her first poems in free verse.  The girl who saw a foster child with scanty clothing and asked her mother whether they could do something to help, and then helped her. My path is the same as the middle school girl who completed her first "real painting" of three faces of women, crying out for help in her art, crying out through the false smile, the anger, the scream--but no one heard. They saw the skill but ignored the voice. My path is to write and to paint my soul, to do my best to be felt and seen and heard--but to do it for the act of the doing.

Those were the broad strokes I wrote for moving forward.  I do tend to find writing some specific steps helps me to get started in every year, though I don't label them resolutions.  While I put the broad strokes as the start of the right side of my paper, I always follow it with specific actions. That's all I call them, rather than telling myself they are resolutions.

I recognize that taking care of my health issues must be included, or I won't be able to do a damned thing. I start with them because they are the least interesting to me--this year, just getting to the apartment gym once a week and to ride my own recumbent bike at least an hour a week are enough for someone who has been bedridden for so many hours a day.

I want to have at least 52 blog entries this year. I don't say once a week, since that would set me up for failure if there is a week I don't get to it.  But this year I DID get ambitious, for once. I simply put WRITE THE BOOK, yes, in BIG lettering. I did not put write the finished product, nor publish it. I just have to write it now. (Bruce, you are so right. Most of it is written in my head or in my blog, but I have to put it in a compelling, readable form. The whole thing. Period.)

Finally, I wrote "start and complete at least three new paintings."  That may not seem like many, but since I also put "Finish partly done paintings," that means I would wind up with ten completed paintings, at least. I keep finding partly done paintings that I had forgotten about entirely, from 2009 and early 2010. I had had to dismantle my studio early in 2010 because I was readying the place to sell. They remained packed up and hidden until I moved. When I put up my Christmas tree, I found another nest of them!

Age, Schmage (or Old, Schmold, if You Like)
I had begun this year's list with the intention of giving myself a schedule, but I cut to the chase instead. I may have the same list next year, or I may not. But in reading the list of accomplishments and graces of last year aloud, I realized that I felt like having myself shoot for the stars. Why dream little?

I will be sixty this year.  I did not think of my parents as old at sixty.  My mom hit that age when I was twenty-five, so it was not unreasonable for my friends to think it was old.  What I saw in my parents, though, was that they both had minds like steel traps and, when she was sober, my mom had an insatiable curiosity about just about everything--except things that had to do with popular culture. Dad became Registrar of a university when he was sixty, after changing careers five years before. They were not over. When my health took such a terrifying turn in January of 2009, and so many dreams blew up in my face, I had started to let those thoughts of "getting old" and being "washed up" creep in through the cracks where my soul had been bleeding.

I allowed myself to start to believe that the best years of my life were behind me. Why? Because I was in acute pain? Because an old love had been used my heart then thrown it and me away, like garbage? Because I was poor? Because I had lost my career or any hope of regaining that particular career I'd built over ten years? Because I had to go through the humiliating process of applying for Disability? Because I knew I had to lose my home? Because my son had become increasingly withdrawn and depressed, and there was not a thing I could do? Well, yeah! Because of all those things.

Fine. I had reasons to be depressed, to be fearful, to be stuck. So what? I realized at the end of 2010 that none of those things had anything to do with being old, or being done.  I have no idea what snapped me to attention, but I do know that something practical and tangible--winning my disability hearing and having the judge lambast the board that denied me turned me around. How crass, one might say. Well, when you are penniless and have to rely on a credit card and the kindness of your friends to put food on the table, having an independent income, no matter how meager, changes your life.

I got unstuck in 2011. I made reachable, small goals for myself last year. I met every single one of them, and have you any idea how good that made me feel last night?

Why Dream Little? My Mantra, Perhaps...
So I am dreaming BIG this year. And I actually yelled at a friend who talked about our being old and how we had to accept that from here on opportunity is for the young. It made me angry because I feel as if, once again, I am just getting started. I had to start from scratch when my husband took off when I was forty. I was on disability and had been for almost a decade. I had to start to build a career from almost NOTHING. I did it. And here I am, twenty years later, having to start from scratch in a different way, so I will do it.

It isn't about the poverty; it's about having a sense of purpose. I have that now, and I have some financial security for a couple of years, at least. Who could ask for more than that? I am a lucky woman; I keep writing that, I know. But I feel it all the way through, and I think it is a healthy way to feel. It's up to me not to squander this opportunity I have.

An old friend, told me that all he wanted for me was to be able to get up each day and choose whether I wanted to write or to paint, or whether I needed to simply rest because of my back. He said he wanted me to be able to choose how I lived my days without having to be so worried all the time. Well, his wish for me has come true, and I did not think it would.

I have an exciting year ahead to look forward to. I find the thought of being sixty kind of freeing. I am not sure why yet, but undoubtedly I'll babble about it at some point. My "other big sister," Nancy will be seventy. She's not old, either. She volunteers in two organizations, works part-time because she wants to, travels to marvelous places--in another year, she's going to go to the Polar Bear town in Alaska... My Aunt in Alaska's 97. Yes, she IS old, but I love listening to the wanderings of her mind when we talk.

She begins on one topic about a friend, then skips all over the place, but if I wait long enough, she always returns to the place she started... and it's always a marvelous ride along the way. Hmmm... I think that's the whole point to living creatively, perhaps. The ride's as important as the destination, maybe more so.

END of this ramble. Happy New Year! (I may revise this three or four times after I publish, but I just want to put it out there and start on my goals NOW.)

Saturday, October 29, 2011

Headed to the Studio for a Bit ... Some Background Blogs in the Meantime

I actually am working on a book, and trying to figure out the thread of the focus. It won't be a litany of hurts, that's for sure; it won't be Pollyanna Grows Up In Hell but is GLAD,  either. I'm not good at perky. I think that essentially it is The Prince of Tides without the tiger. And it may be that I wind up having to fictionalize, for the sake of some innocent relatives, and, well because the sociopath is alive. Then, too, that might be kind of fun. While I would love to write a memoir, it might be that to talk about my personal journey, it should be fictionalized; to talk about my mom, however, might be something I could tackle. We'll see.

Regardless, painting dreams seem to be taking over for now, and it's time I paid attention. Often the two forms--writing and painting--feed off one another.

But I've been so lucky to get about thirty new followers in a short time, and some of my entries might make more sense if you look at earlier ones. They might illustrate more of who I am.

I dance on the edges of things, skating the curve between the yin and the yang, the dark and the light, where life and death touch. But the only way I survived all the pain was to cling to the beauty and try to let go of the horror, swinging toward that rainbow on these slender vines of whatever beauty I could see. Sometimes they broke. Sometimes they took me to somewhere safe for a time. Sometimes they took me directly into a pile of ... not good stuff.  I have lived between the extremes, but early on, it taught me to live BY extremes. Too much so often. 'Matt' once told me, "Your love, our love, this love between us was so big it scared me to death. You scared me to death. I had to run away."

SO... I did my best to kill myself off by inches in my twenties, until my broken back saved my life. It was a real, tangible problem to fight, to overcome, to conquer, instead of demons just out of my reach. And conquer it I did, for twenty years longer than they gave me to live or to walk, so far. T I'm here. I walk. I stand. But mostly, I live. And as I have said in previous comments, I use the elves and fairies, the wildflower days and the Lake, the beauty and laughter of Christmas, to cut the demons down.

Blog Entries for While I am Painting, not Writing--for those of you who are so inclined
For any of you newer followers who are interested, I've included some early entries--Losing Dad was the latest and about nine of you were around then, perhaps. I did not remember a thing about the abuse and violence until I lost my dad--Losing dad, finding therapy .  This entry talks about him in a little more depth than the Slayer of Monsters under My Bed.

I could not really start the process of having the distance to write about it all until after my  mom died. I was far too closely entwined with her, her struggles, her failures, her victory. HER life story. (Hence, I am kicking around tackling a memoir that focuses on her and on our relationship.) I could not separate myself properly. I include the following entry, which shows most clearly so far, the wide swings of feelings about her.
Losing Mom, finding my way

When I had lost both parents, then I opened up and began to write about it all, a bit at a time. But I let no one see. I let very few in that deeply even in talking. It took years to truly have it lose the power to  hurt me. But I had my breakthroughs, and life changed. I got new tools to use to actually enjoy pastels in life. Grays even. Balance without boredom was a brand new concept to me at 37, after she died.

I think one such breakthrough came when I stopped blaming Mom for everything, that was a huge step.
Underlying Premise--I cannot blame my mother, dammit.


This next is the beginning of it for me, and it is pretty horrifying, I think... Where the terror and the sociopath were born, but also where the love was born. This was the one story that made my therapist cry, but it is pivotal to the gift I was given to cope, through the Robin Hood Days, and through the days of jumping at the too small sounds in the night, when my other brother came.  Bear in mind I was perhaps a year and a half older than the me in the picture of my window box elves entry -- three and a half!  I don't know that I had more than two followers when I wrote this one. Grace by Any Other Name

I blocked the incident out entirely until I was about 36, just as I did the sessions with Jack, and the rape that made me start carrying a steak knife to my room at night. No one ever said a word about the knife, a small fact that makes me wonder still. I never tried to hide it. In fact, if Jim was in the living room, I made sure it was very visible... Still, my memories were only of elves, until my father died, and Pandora's box flew open, and the demons were let loose for good.

Out of that little bitty girl came a solution for most traumas, most pain. Love. Agape, not emotion so much as the gift. The gift of love.

It was what I used over and over before each of my nine back operations--I would say the names of the people I love, over and over and over -- it was far more powerful than thinking of people who loved me. After all, who would love a woman like me anyway? They all left so fast, and it was so very hard to believe back then that there was anything in me to love ... But there was nothing hard about my naming the ones that I loved, whether or not they loved me back. It helped me get through many situations which scared me.  Cover the fear with love

Funny thing is, most of those people DID love me back, and have loved me ever since.  It kept coming as a shock when these women united so often, catching me before I hit the ground, over and over again. The Women

 ***
I think losing my daughter in 1994, just two years after her father left, broke the final dam of some sort of resistance to share my core with others. I did not think anything could ever be worse than this. (That will undoubtedly be an entry one day--one of the most bizarre experiences, aside from the worst moment of my adult life. Hearing that she was dead.) I moved to Pennsylvania six months later, learned to paint, and simply breathed. Between 1987 and 1994 I lost both my parents, had my  ninth back surgery, went through psychotherapy for post traumatic stress, bought a house with my sister, had both kids leave for college, had my husband leave me for his student teacher who was Jessie's age, and finally lost my daughter.

When I wrote the poem to her in 2005 that is in the next entry, I had lost three best friends and my nephew and my brother as well. I was worn out from  losing people and starting over, but I also knew I was going to lose my sister, too (I wrote about her in January of this year). (From 2000-2006 I lost my minister -- and dear friend--to suicide, two close friends, my nephew who hanged himself, my brother and finally my sister. I was kinda tired. And I was losing my ability to walk. I was starting over for the sixth time in my adult life, I felt.)

This is just a bit of a tribute to my love for my Jessica. She is inextricably entwined in my path to wanting to write again, in wanting to fly if I cannot walk. My Jess

That's enough of the hard stuff. I understand if you don't want to read any of those. I am so grateful for the support you all give me in writing, in letting me know that you don't think it a crazy idea for me to write a book.  Of course, I'd have to write it anyway, because writing is what I do.  I could not stop it, one way or another, if I tried. Like breathing. Like praying, singing, painting.  Like loving. So if I write a book no one wants to publish or read,  I'll keep writing anyway.

If I do not just go down into my studio and get started on those paintings, I will lose my brain altogether, howver. I thought I could create a schedule where I would, oh, paint in the morning, write in the afternoon. Nope. I'll do both in spurts... but as long as I do one or the other every day, then it's fine.

Okay, for those of you newer followers who don't really want to just read the heavy stuff about me, I have other entries that show something else!

NOW About Fairies or Faeries, and other Kinds of Magic
What More you Really Should Oughta Know
For those of you who want the silly and the magic,  Birthing Fairies: the Honest Truth, not the Fake truth    is self-explanatory. Some of you may have not had this in your education and if you have small children or grandchildren, you might need to pay attention to this factual account. Jo over at Majority of Two can corroborate that this is how they are born. She found this out in Canada, so it isn't just me.

Beyond the magic of my mother, I was also given our summers. Huckleberina Finn is a sample of that. Then of course, there was Christmas....

Those three entries are some of the shiny parts of my life.Hence my comparison of my family environment as a rain forest: lush or rotting, with little in between.

As for me, one of the pictures I've dreamed is birthing fairies... a spot on the lake that shines so clear for me still. I finally think I know how to get what I want on paper--the overbright sparkles that get larger as they come to shore. We'll see. And I finally have the right fish for my coral painting... and--Well. I just have to paint is all.

I can't walk away for two months again. Undoubtedly new things to write will start nagging at me softly, then louder I will have to come back and finish them, if only to shut them up. Do you find that, too? That a work of art yells at you to get over there and DO it? That a  story weaves into your dreams and mucks them all up ? Or paintings arrive unannounced and fully blown?

Sometimes the muse is downright rude. Oh. And I've recently begun to write music for the Thursday night group of which I am a part. I never wrote music before in my life. THAT is calling to.

But the thing is? Now I am free. Free of the house that was too much for me, of having to consider anyone else in my days. I am free to fly. And that's WAY easier than walking. My friends dubbed me the Phoenix. I like that, as I said. It's mythical enough, and I am slowly working on a painting of that. Each feather is being cut individually. I work on it when I DO feel weak, when I feel that I cannot take any more pain or loss, or have one more hope placed in my hand to look at and cherish, only to have it taken away and thrown beyond my reach the moment I believe. I mean, really. Who doesn't want to be the center of her own myth? It can be useful when the darkness visits.

The demons rarely stay for long any more. And when the fires come, I FLY. Fly straight up and free.

I'll be back in a couple of weeks, but I will be following your blogs. It's how I start and end most days.

Then, too, I may be back writing sooner if new entries interfere with my dreams and then start yarping loudly at me as the paintings did!

In the meantime, as Carl would say, keep makin' art. I am so very lucky to have made blogging friends here... and I think it all started with Carl at Artistic Balance and Jo at Majority of Two.  And built from there.  If the blogs I follow are not familiar to you, I'd also suggest you root around among them, and give some a try! I know that reading such fine words and seeing such beautiful words  have made me think more, feel more deeply--and have lifted my spirits when I needed it.

Friday, January 28, 2011

Weeding to the Music of Lilacs

"In the right light, at the right time, everything is extraordinary." Aaron Rose

This quote was used as part of Pauline's Writing Down the Words: January 28 entry   That particular quote made me remember the role that gardening has played in so much of my healing time of the last twenty years, the years of home ownership, and visiting without words.And it reminded me of the extraordinary friendships forged around ordinary routines.

When I was in my twenties I did a great deal of visiting over toddlers and folding laundry.  I was single; my friends were not.  (See   "Laundry Eagles"  for an understanding of what I mean.) I was a thoroughly obnoxious sort of friend. I'd watch their children for an hour or two when they had errands to run, hang around to help unload the groceries, the laundry, whatever and, when the little ones began to implode along around 3:00, I would smile so sweetly and say, "Ha ha ha, ha HA HA, I think I'll go HOME now." They all threatened me with much future suffering, but continued to allow me into their homes nonetheless. NOt only that, they fed me, listened to me, and held me close when my heart was broken and my body followed. 

During that decade we visited with talking. Endlessly deep, profound and mundane conversations over coffee, stolen lunches out, when one child or another invariably slumped into her soup, sound asleep. When my parents went off on vacation, I would overrun their home and entertain the lot of them, husbands, wives AND children. I would make some Julia Child wonder of a meal, insist on no help and have everyone at the table together. The children would be bundled en mass onto my parents' bed, and the adults had hours to laugh, watch bad t.v. and discuss everything from politics to the dangers of the new something on the horizon called "Total phone" and the clunkiness of mobile phones. The best night was watching the Miss America Pageant and feigning disagreement over whether or not Miss Oklahoma's singing "I am Woman" while dressed in a ridiculously frilly apron and riding a tricycle  trumped Miss Nebraska's attempt to sing "Send in the Clowns" while dressed as Bozo. I had served coq au vin with a magnicient four layer Boston Cream Pie (Made entirely from scratch) and flopped onto the couch, saying, "Someone peel me a grape." I was ignored.


Ten minutes later Andrea appeared with my mother's hexagonal  silver tray with one peeled grape in its center.


It's the little things.

But our friendships were loud.  We danced and had parties. We lounged by the pool, watching with one eye, the endless games of Marco Polo as toddlers grew to double digit children.  I was the neighborhood silly mobile aunt. I loved it. I knew I should not have children with the back I'd been dealt. I did not have my first surgery until I was twenty-eight. I was diagnosed with severe problems at just 23. So I exercised like a fiend to avoid surgery. I did weights when it was not fashionable, and tried the weights machines, only to find that it made a difference that they were designed for men. I hurt myself. My PT guy said I was the only woman he'd ever met who overdid it in the pool to the point of injury. 

What's this nonsense anyway about moderation being good? BULL.

I dreamed big. I Mean BIG. I would write the best novel ever and Oprah would have me on. I would be "Discovered" at a poetry reading by Coventry Lake. I would go to grad school and become an expert on Adult Learning, and write the definitive light reading books for adults--compelling and interesting, not glorified kids' books. So many dreams.  My friends had them, too, and they were not so big.  How was it, then, that my friend who spoke English as her second language got her masters in international accounting, and another became a nationally known and respected program director for Public Broadcasting, and another went to law school at thirty?  I talked about the big dreams, and so did they, but when it came down to it, after all the talking and laughing and sharing, in my thirties I watched the others run after their dreams while I spent five years in hospitals, raising half-grown children in between the four to six-week stints?  I felt my life slipping away, I thought.  The noise seemed to die down, but not the chaos.  

I did not lose these friends at all. On the contrary, I was the stay-at-home mom for my daughter's best friend. I was the one who would suddenly show up at whichever home "the gang was hangin" with a tray full of Slurpees® and a bright smile. As my son said, "It was impossible to, like, be that mad. I mean, you didn't stay. You sat down and you asked us about our days, brought the drinks and sometimes cookies and smiled and then left after fifteen minutes. And come back later because you forgot your wallet or something. You always forgot something."

I would smile at his recollection and then he'd say, "DAMN. You didn't forget, huh. But we NEVER knew if you'd come."

"Exactly."

The life was mundane and my pleasures were tiny, mostly. An unexpected hug from my son.  Dinner time laughter that included Mark AND the kids.  And, of course, hanging out with my friends for cookouts. Still, mostly we talked. And, sad to say, mostly I envied them their marriages, their vacations, their big homes.  I felt that not only had I disappeared, but my family was not likely to move forward. Of course, it was my fault. I was disabled and brought in almost no money. I banked all of the kids', and used my own for necessities. I had no right to buy luxuries. The money was Mark's, not mine...

But somewhere along the line, I realized that I was not seeing my life. I had not held up the proper light to it.  Others seemed to see me as a success. (Not my family, of course. There, my Aunt Joy summed it up when they were dissecting me as if I were absent. Joy said, "Well, Jean, she IS a wonderful mother.  Let's give her that much.) My friends saw more, for which I am beyond grateful, but they told me I was either seeing myself and my life in a funny mirror, or I needed new light bulbs in my brain.

It began after the eight operation, when I was confined to bed because I had gotten up on my own to use the loo, and had lost my mind in a sea of blood in the bathroom.  It was a new procedure, trying to avoid my normal hematomas. The fourteen inch incision was sutured very loosely so the pressure would not build, and blood could escape in a controlled way, but I went into the bathroom and, well, the thing exploded, splattering blood all around me and I had a flashback. My first. Right there and then, blood on porcelain and I was gone to another place.  The sound. The sight. The fear. I remember nothing more.

I awoke tied to my bed, and life changed immediately. I did not then confront the flashback; it was too soon for that. Yet at last I knew that there was something to confront.  As I looked next to me at my drug-addicted, far older roommate, a woman whose husband would come into the hospital and say, "Why don't you simply DIE, Annie, and help us all out?"  .... as I looked at her, and looked back at my panic-stricken husband beside me, my life took on a new sheen.  Our marriage felt strong and real. And I remembered something about Jessie.
One day she had come home with a papier machĂ©  daffodil from middle school art class. "I can't even show this to Mom or Dad. They'll laugh at it. I can't laugh at it. Jeannette, it's pathetic." Well, yes, it truly was. It had a stem the size of a Grecian column and a blossom the size of a thimble. It was lopsided and one leaf was fat and squat, the other tall and leaf-like. "She gave me a B out of pity and for the good leaf." There she stood, hair to her butt, one arm behind her back, the other holding this monstrosity toward me, eyes pleading for help.

"Well, Jess. I can't throw it out. My guess is you worked hard on it." Her tears were falling and she nodded. "I know, I'll put it on MY shelf in the closet and I'll think of you every day."  She brightened up enormously, but every time she saw it in the closet she'd come out and look at me, shaking her head. 

A couple of years later she said, "You really don't have to."

I always said, "I love it. Especially when I knock something near it and it falls on my head." She would laugh and kiss me.

But when the ceramic vase came home, lopsided and unevenly glazed, she begged me not to put in the living room. "No, REALLY Jeannette. You can't do it. There is nothing that you can make look okay in this. Nothing."

I'd said, "Trust me, honey. You wait." Jess ran into her room crying because she thought it would be humiliating.
I found some beautiful silk flowers and dried boughs of who knows what? I put it in the corner of the shelves, and you saw only the ruffled line of the lip of the shining forest green vase, and the curve of the base, and a profusion of delicate color, there in the center corner.  

She looked at it and began to tear up and smiled, "You made something beautiful out of something ugly. You always DO that for me." And she hugged me, holding on longer than I did,  and I was never as whole in my life. It was the sweetest compliment I'd ever known. An ordinary act of motherhood, I thought, seen through the eyes of an extraordinary child who did not know her power yet.

I lay in my hospital bed, tied down, thinking of her and a dozen other little sweet things that suddenly felt huge, and how I'd nearly blown up my marriage.  And I apologized for the billionth time for the pain I had caused Mark, only this time he looked at me and said simply, "I want you home. I want you not to hurt so much. I can't reach where your pain is, Jeannette. It's always out of reach."

But he kissed it away just the same and I remember it as a series of the best kisses of our marriage.

Something changed.  I was thirty-five and was about to learn the heaviest of life's lessons, but I began to listen to silence and look harder at the small things of my life. I stopped paying so damned much attention on the big successes of my friends, and looked at my small successes. I could stand when they told me I'd fall down. I was not an addict.  And I was determined to stand STRAIGHT. I was able to do the laundry within two weeks, and for the first time in three years—I started dancing around like Rocky for the accomplishment. There, with no one to hear or see the mountain I had climbed, I danced. 

Sometimes simply tying one's shoes is an extraordinary act. That's what I was showing Dad--that I could tie my shoes--while quietly and slowly the subject drifted away.  I was always quiet with him toward the end.  Noise confused him. But because I was happy to simply BE with him, I had the opportunity to meet the man behind the FATHER, even more than when we'd commuted together. He gave me the journal of his last months, a revelation of pain, selfish arrogance and humble regrets.  Anyway, on this particular day, I'd told him how hard it had been to learn to do and how much  harder it was to appreciate an act I'd done thousands of times, and he nodded. Then he said,  "I've sung Ah Sweet Mystery of LIfe at Last I've Found Thee easily a thousand times. Why did I have to be dying to listen to the words? Love was next to me all my life, sweetie. Don't be like me. Mark hurt you. I know that. We know that. He isn't the man we thought he was. Dear, you can do anything. Listen to your words when you sing them. Listen to your life as you live it. Listen. I never listened."  There were many small moments with them both, while they were consciously preparing to go. I'll save them for another time, but when they were gone, and we had bought our house, I began to garden.

The quietest thing I know, gardening. My friends gardened, too. Sometimes we would work together and say nothing, yet felt we had visited all the way through to our cores. Perhaps we had. We would be filthy, sweaty, make-up-less and aging. Yet sometimes I thought that Andrea was most beautiful with her hair unruly, her unmatching eyes glittering, her pale skin still shining from her sunblock. There seemed nothing ordinary to me about many of the flowers, especially peonies.

I mean really. Every peony is its own statement of life -- no, of LIFE, with flourishes of trumpet as well. Their coloring is as delicate as Dresden, but the flowers themselves? A subtle peony is an oxymoron.  I was weeding in my lilac island when I thought about that one very early morning.  I liked to weed when the sun still cast gold in the sky, there on the far side of my yard. 

I was laughing at myself because I love their showiness, revealed only through the  never-ending ordinary march of ants to soften their buds. Ants. What is more ordinary than an ant? The lilac island was my first garden, designed, planted, dug with my own hands out of the twenty-year-old perfect turf. My mother's and sister's favorite flower is the lilac and, since Jean Ellen lived here, I wanted to have my first garden be for her and for Mom, whose soul I had clearly channeled, against my will I tell ya, against my will! (I loathed gardening as a child, as I stood by her holding the trowel, the watering can, and some worms to put in the holes. Worms, it appeared, were the key to every garden success. They were the best thing about it all, because the rest of gardening seemed the most boring thing in the world. Put in some nameless tiny green thing and when you were done? It looked like a limp clump of weed. And a clump of junk we had to be careful not to let the kick- soccer- foot- or baseball get into.)

So I chose four different lilac varieties, then found the Miss Kim, and realized that I could have a whole month  of lilac blooming with one of those, if they did not all bloom at once because of a hot spell. And I had to admit that subtlety had not been what I was going for here, either.  The double blossom shrub was nearly bent to the ground from the weight of the eight-inch long pregnant blossoms. 

That season we had had a hot spell, though, and I saw that every single bush was budded, from the doubles of the deepest violet bush to the white. None were in bloom, but they would be any moment. Oh, well. I shrugged and decided how beautiful our enormous vases would be with five shades of blooms, if only for a few days. 

I shook my head a moment because a decade before I had planted them too close together, and had actually put a peony plant in there, not realizing how big both got. A common mistake for new gardeners. Furthermore, lilac island across from an open field, so nameless horrid weeds invaded all the time, including the Chinese vine I SHALL NOT NAME. I call it KUJO, for the killer dog. I had just finished wrestling one 20-foot obsenity out by its roots from the very center of my "grove", and had removed, painfully, no fewer than EIGHT thistle plants when, as I unbent my body to breathe, I heard the rain. I looked up and the sky was blue with the barest hints of rose and gold on the horizon.I stood very, very still; stunned, in fact. Gentle rain engulfed me, yet all was dry. 

"A miracle?" I asked aloud.

No. An ordinary act of nature, the sound of lilacs blooming.

Clearly, though, I should have answered, "Yes."

Tuesday, January 4, 2011

WOO HOO

I have been awarded Social Security Disability. I am eligible immediately for Medicare. The first hurdle toward my reconstructed self has been CLEARED.

I have dreamed of coral reefs two nights in a row now. Time for a new painting, I guess, while I work on the two unfinished.

Such a New Year's gift. The judge wrote her decision BEFORE the Christmas break, only a couple of weeks after the hearing. She was clear and, well, it validated a good deal, this judgment of hers.  I will be able to be financially okay for at least ten months and, hopefully my house will sell before that time is done.

I find myself hoping only to move forward, to not just reconstruct myself as an artist and writer, as one who creates solely what is in my heart and imagination, but to feel that I can tutor as well. I LOVE helping kids unlock their curiosity, finding the words that help them over their own hurdles. It is challenging and fun, too. I am only eight in my brain, so it seems a natural fit, no?

I want the new year to propel me toward simple peace, toward loving my friends better, toward more productivity and choices that keep me on the planet a LONG time.  I want to write the wonder of my life, which was the gift that got me through the pain--the gifts of my mother, my father, and my sister, really. Each had their own whimsy and sense of the absurd that they gave to me.  And the wonder that was my brother Jack's willingness to protect me the best he could from the violence of the other brother. And of our friendship as children and teenagers. In his own disease, he committed one horror, but ONLY one. Mostly, as his birthday draws near,  I remember Robin Hood, calling to me as I hid in the closet. Calling to me when his own torture was over and the monster had wandered off, losing interest in causing him pain. "Maid Marion, Maid Marion. The Sheriff is Gone. It's safe to come out."

And I would untie him and bathe the cuts or the bruises myself. Jack gave me my very life, I think.

It is a new year. Some of the limbo has suddenly ended. I am acutely aware that I was given more gifts than my share, I think. I called my friends who had been long awaiting good news. It took three hours of laughing and crying and just being happy.

I have virtual friends in here, many of whom have reached out to me beyond the blog. I have thanked you all before, but I simply must again. The progress on the book is slow, but it has to be. I have made peace with many things in these months of chaos and pain.

Long ago, in the early days of biofeedback pain therapy, I named the pain Louise. My  middle name and my paternal grandma's name. I may have mentioned this elsewhere. I did this because my grandma taught me many things as a small child, and I adored cooking next to her, eating lunches she made for Jude and me at the Lake on rainy days--we sat at a lace-edged tableclothed card table, on the screened in porch, eating egg salad sandwiches cut on the diagonals with the crusts off, off of special plates with a spot on them for the chocolate milk-filled glasses. And we had M&M's for dessert. Grandma would serve her two little wild girls as if we were grand ladies. It made us giggle, as we sat in overalls and t-shirts, barefoot. Huck Finn girls with Lady Louise. Grandma mourned the demise of whale-bone corsets. She showed me how to dip candles for fun and we churned butter.

But when I hit puberty I learned that Louise was mean to my mother. She spied on us. She was bitter. A vicious gossip sometimes. Louise was not likable, barely lovable, in fact--but she was my grandma, part of my being, part of who I was, part of my life.

The Louise of my body, born of spinal disease, has tamed my tendency to self-destruct. Pain is not something we want. I don't want it.  But it's here. It is part of my life. Louise is here and saved my life and made it hell and I cannot discard it. I must live with it and use my heart and soul to find the ways to use it to FORCE me into going after the dream.

I never gave myself permission to paint, to sing, to write simply what I WANTED. To create from my own music for the sake of creation. Well, I can't do it on deadlines any more. There is no path left for me but to do what I want!

So, tell me. What sort of irony is in that? I mean, talk about a dope learning things the hard way!

I will be getting the first step of financial respite. I have accepted what IS in relation to my spine. I KEEP ON STANDING UP. But I know enough to sit down or lie down when I have to.

It IS a happy new year. Thank you to any of you who keep no looking for me to write. There will be more.
Woo HOO.

Tuesday, May 26, 2009

Tree peonies & Irises

A friend of mine came into the house for her art play session and said, "Your flowers-forgive me--they are girlie flowers in the best sense. They scream 'Look at me, I am a flower and I've visible from outer space!"

To which, in all my erudition, I replied, "Well, DUH! Ya think?"

You can tell I am a writer, I know. But, hey, this is why I specifically planted those two plants. When I remember to expose the iris korms nice and early, I am rewarded with spectacular results — the kind really needed by any instant gratification junkie who is trying to learn the rewards of patience. I've dead-headed thirty blossoms and there remain twelve fresh blooms today — the last, but that's okay. The tree peonies, a new addition of just three years, are beginning to hit their stride. BOTH had five blossoms the size of breakfast plates. (I'm old. This is a plate between dessert plates and dinner plates.) At this stage of growth, the effect is sort of silly--all blossom, no foliage. Afterward, now that the petals lie in profusion on the mulch, the sight of the foliage of deeply cut leaves branching from one "trunk" is beautiful.

The point is that I have always overbought annuals in May. Now? I am so fully satiated by the spectacle of delicacy and boldness, that I hold off. These two plants just saved me about $75.

I expected a report from the space shuttles, but no. I cannot believe that those circling toward Bradley field don't tip down to have a look at the intensity of red and blue. Nope. Oh, well. The nightly news' loss is of no consequence. When the iris pass, the regular peonies--a ten foot, low hedge of them--will be off and running.

I can look down from my office, or out from my studio and drink them in. The gratitude for lessons taught by grandmother, my mother, and my oldest friend make me tear up. I did not know I was a gardener, until we moved into this home nineteen years ago, to a place of lawn and one forsythia hedge and not one single other shrub or flower anywhere. Now an island of viburnum, red maple, rhodies, mountain laurel, andromeda, azalea, run the sweep of the fifty foot ranch wing of the house, sheltering the windows from a neighborhood of eyes that DO intrude. There is an alcove of shade, where one can sit unseen from the street, and look back toward the house, to the flowers and other ornamentals. It is a spot of quiet and coolness. I dug every bed, planted every tree and bush and flower myself, largely unassisted.

I have a robin the size of Pittsburgh, who lands not ten feet from me when I mulch or weed. He squawks at me after ten minutes, eager for me to leave the upturned worms for his lunch. He is insistent. I ignore him for a bit because I LIKE my worms. Eventually, I decide he deserves a meal, and I let him at it--for a bit.

I have had two weeks to drive into my driveway and laugh at my ostentatious, unruly, marvelous mass of blossoms. Soon I'll have another.

And now that I have work and it looks as if I may just be able to count on being here for TWO more years, not one? Well, I may plan another bed of future instant gratification. That phrase may seem like an oxymoron, but so is an impatient gardener. I think the NEED for annuals is for the learning process. Oh. Mind you, I'll get some for the little fill in places, but I will be more reasoned in the quantity.

Not in the brightness, however. I will need them for August, before sedum and chrysanthemum have their sway. After the ludicrous lilies have passed and their jester-ruffs have wilted, leaving pathetic stalk behind. I'll need my begonias and alyssum, petunias and coleus, lobelia and snapdragons. The punctuation marks of profusion filling in the blanks, letting me know that my legs still work well enough. My life is rich enough.

It is hard to remember how I hated to help my mother dig holes and plant. How silly I said it all was, all the while I marveled at the ten foot bank of rock garden that sloped up to our home. I remember the iris among the rocks. The daisies and pinks. Pockets of petunias tumbling into masses of something with foliage as dark as New Hampshire pine forest green. I would stand transfixed, yet insist I did not care for gardens... until I had no gardens to see. Until my mother was gone, the cottage was gone, and I grew tired of the sameness of apartment life.

I am a gardener and I never knew it. I am an artist and denied it for years. What a gift to discover such things as I moved through middle age. What will I discover by 65? I don't know, but suddenly, pain notwithstanding, this aging stuff seems a bit less scary than I thought.