My Dad: Another Parent, Another Promise

A while back, one of my commenters pointed out that there are worse things than living on the edge of poverty. That reminded me of the story I wrote several entries ago about my dad and me, and how he would show me exactly how the money was handled and where it went. And all sorts of memories have been tumbling into my mind--new and old, alike. It has been two weeks of confusion, joy, and pain. But my dad clamors to be heard, so I write more. This is unedited stream of consciousness today because I want to quiet at least ONE of the cacophonous voices in my head!

Ostensibly, so many talks began around money...

When Dad finally got ahead, back in 1969, it was because he collected a pension  in early retirement from the State and then started a new career in Education Administration as the Registrar of a local university. I think his example is another reason I have never been able to subscribe much to the idea that it's too late to start fresh after fifty. Even when he retired as Registrar at 67, he became an administrative consultant to the President of the university. He felt change was usually a good thing, not bad.

My Parents and Their Idea of Wealth
He and my mom faced potential poverty all the time. Sometimes they dipped into the wrong side of that line, but when they were financially secure, what did they do? Turn around and start helping other people when they could. Dad said, "Money is only as good as what you do with it. We have been helped along the way, so it's our turn to help others as we were."

They befriended a waitress at a local restaurant, helping her and her son as they could. Those two were with us for five Christmases, and Dad paid for her education at a local community college, then got her into the university on a scholarship two years later.  We had strays at my parents' open house on Christmas Eve nights and we never quite knew what sort of person would appear next. I think they helped about a dozen people before they died.

I remember he asked my opinion about that. He wondered whether I thought he should give the money to the charities that helped people and explained to me that he and mom were a little selfish in wanting to do it this way. "We get to see the effect. But do you think we waste our money?"

I was shocked that he asked my opinion. He said, "Why wouldn't I? You have been through more than the others have and are more mature than any 32 year old I've known. You work in non-profits." That was when I felt like a grown up. I had not thought my parents had noticed much of anything about what my life was really like, or how I had coped with having three operations while I raised two stepchildren and tried to develop an opening for a career. However, I still did not care for the question.

I felt that it was entirely up to them and, in fact,  I told him that if this was being selfish, then the world would be better off with a whole lot of selfish people like them. I did ask, "Daddy, I only worry about your getting into trouble spending the money. I know how tough things were when we were growing up."

He looked troubled. "We won't spend away your inheritance." I remember tearing up that he could think that's what I meant.

"DADDY. It's your money! I don't care if you leave us not one dime, don't you know that?"
He had the strangest look on his face, and rare tears were there, making his eyes shine dark, like Jacky's. "How is it that you and your sister have such different perspectives than your brothers? They talk about how they had nothing. You and your sister talk about how your mother gave up her comforts for all of you."

I think the boys never bothered to look; I don't know why. They saw the flaws, as did we all. They just didn't want to see the rest, I guess. Jack wanted to "out-Daddy Daddy" and deliberately went into education. He was mad when he was dying because he would never finish his book and he wanted to beat Dad at that. I suspect being boys in that family was harder in some ways. When my friend dated Jim (pre-memories, mind you) she bought t-shirts for all three: purple, with fancy white printing that said "the Father" "The Son" "The Holy Ghost." Funny. Each one knew which was which and they were PROUD of them; they were proud of their own egos.

Still, it bothered me that the boys never could see the sacrifices both parents made, just for us.

Spinning Gold Into Love
We talked about many things that day. He was was driving me to Boston for one of my "blood-lettings," as we called them. I used to get massive hematomas on my back after surgeries and would go to Boston every three days for a couple of weeks, so that the doctor could aspirate the surgical site and draw out all the old blood. It kept me from getting infections. My husband didn't like to take time off from work for my illness. It wasted too much time, he said. But Dad would sit there and hold my hand, and would grow very pale at the sight of the enormous needle and tube into which blood was literally sucked from the swelling.

We both knew those trips saved my life. It cemented a unique bond between us, as well.

My parents had no desire to be wealthy. Dad wanted Mom to get some things for herself, yes, when he changed jobs. When she'd finished her binge, though, they wanted mostly to "give back." Friends had helped them sometimes and all the friends had said was, "When times get better, don't pay us back. Just turn around and do it for someone else."

I realize that this was the prototype for how my friends and I work as well. There is about five thousand dollars total that seems to float around my circle of 10-15 women--sometimes in a thousand here and there, and sometimes the whole wad.  My family and friends who celebrated Christmas Eve together would pick the person with the roughest year for the "Spoiling target"for the year. We would give them an outrageously large Christmas then and spoil them rotten. I learned from my parents that THIS was the REAL fun of the season, and of life.

Spinning Pain Into Love As Well
Why am I writing this tonight? It has been a difficult couple of weeks for me. I do not write that much about my back. I have had bizarre and terrifying experiences in the 1-2 month hospital stays. Lately, I have dreamed about the worst ones. And we are now in the season when I lost both parents. The final weeks of their lives. Mom died on February 16, and Dad died on the 26th. January was full of poignance. And two worst hospital stays were in the winter. I may write about those; possibly not.

But as I think of my parents and remember things to put in my book, I remember Daddy as well. We had an unusual relationship, I think. I was lucky enough to hear both of them talk about their own fears, their disappointments in themselves, not each other, and to hear about parts of their lives I am not sure most kids of my generation got to share.

My father was a womanizer; those of you who have followed my blog a couple of years know that already. He was famous for his business trips... We knew. Well. I knew. The boys remained blind until it was out in the open; denial was always their preference. Most mornings my dad sang one of two songs in the shower:  Many Brave Hearts Are Asleep In the Deep or Ah Sweet Mystery of Life at Last I've Found You.  On February 1st, when I was giving him some ice chips because eating was so awful for him, he took my hand.

"You know about the women, Jetty. Your mother could have left me. She should have, really. But don't think I did not love your mother. I DID. I DO.  But you are too much like me. Don't learn everything the hard way."

I said, "Daddy. I have made big mistakes, but..."

"You are not happy with Mark. I see it all the time. He is not right for you. I know it. I just know it. Jetty,  what are you going to do? Oh..." He was so agitated then, all I could do was stroke his forehead and the still thick and silky, silver hair.

He was quiet, but his cheeks were wet and his eyes were glossy, and almost black. "Why did it have to take me DYING Gawddamnit? Why couldn't I have listened to the Gawdamned WORDS, instead of my own voice? 'For tis love and love alone the world is seeking.' Jetty. Promise me you will hear those words. 'Tis the answer, 'tis the end and all of living.'  I learned it all too late! Don't you, Jetty. Don't you."

Ah! Sweet Mystery Of Life
Ah! Sweet Mystery of Life
At last,I've found you.
Ah! At last I know the secret of it all.
For the longing, seeking, striving, waiting, yearning,
The burning hopes,
The joy and idle tears that fall.

For 'tis love and love alone,
The world is seeking.
And 'tis love and love alone,
That can repay.
'Tis the answer, 'tis the end and all of living,
For it is love alone that rules for aye.

(LAST STANZA REPEATED AND CLOSES WITH);
For it is love alone

 I hear his basso profundo still; or, as I preferred to call it, his basso buffoono. I see his face, the tears. I feel his hands on my face, and see him looking for an answer. I am not sure he knew who I was in that searching.

All I said was, "I know, Daddy. I know."

He smiled and nodded, let go of my face and he slept.

And the Question and the Answer Were the Same
He and my mother, both. In the dying, turning to me to give me something all the while begging for a promise. The telling. The listening. To me. I was the writer. Of course it was to me.

Regardless of what came from moving lips, the sound from their souls was simple: love.

What more could any parents leave?

Let it Snow... Huh? Nothing at all profound today.

Yes. Well, some of you  may know that Connecticut was in the dark for all of last week. I exaggerate. Only about eighty per cent of the state was dark, and I live in one of the towns that was hardest hit. As I write this Monday night, big chunks of my town and two of the towns adjacent are still dark. This is a situation we will have to sort out--negligence and apathy. I live in what some call the "quiet corner," which has often translated into the "Backward pore folk" corner.

In the late 1970's I worked at a university library way across the mighty Amazonian Connecticut River. One must understand that, in Connecticut, if you lived on the west side of the river, my side was seen as some foreign world of nothing but woods and farmlands. No one actually said outright that we must be uncivilized, but they came close. I was in a play and invited my colleagues to come and see me. They arranged an expedition, thinking they could see some quaint old-fashioned stores and perhaps take in the buccolic scenery.

When I saw them after curtain calls, one woman said, "Well you actually have a SageandAllen's store here. And a Stop and Shop!"

"Yes, Clara, and we got us indoor plumbing just t'other day."

"Well, I thought that this was all country out here. I didn't realize you all had..." Her voice trailed as she suddenly realized just how condescending and insulting she was sounding.  "No, but you have regular stores and everything and... I'll shut up now."

Thirty years later we still are the forgotten towns when it comes to prioritizing funds or aid. We have the flagship of our university system, but people seem to think that other than that, we are a vast wasteland, except, of course, for our mall. Connecticut is the land of malls. If you do not live within twenty minutes of a large one, you are considered underprivileged. My town has three huge malls within twenty minutes. Truly, just how lucky can one woman be.

I hate malls. Sorry. I just do.

Anyway, my power came on late Saturday, thank goodness. My apartment complex is located in an area that has at least five other large complexes within about 3/4 of a mile, square. It is the most densely populated area in the town, yet we waited six days for the power. I could not get out of the complex for two days. For all six of those days, one of the streets had no exit at all, except by winding through our complex. There are still trees HANGING across roads. Poles partly fallen. Big branches blocking roads. One of my friends could not get out of her street until Friday. Fortunately she and her husband are campers and had a gas stove as well.

In this day and age we expect our electric companies to be able to get us back on the grid in short order, but our company is far behind the times. And if I had had to listen to the president say that the company exists to serve its customers, I was ready to throw a shoe at my tv. It exists to serve its stockholders. The president got a three million dollar bonus--for cutting 20% of our crews, I guess. And not paying bills. And having antiquated lines and transformers.

I am grateful to the Canadian crews who came, some of whom are still here--from Vancouver, Montreal, Quebec. We have crews from Kentucky, Massachusetts, the Carolinas, Tennessee. I don't know what other states sent us help--I think they said it was TWENTY states. I am so grateful to them all.

Last week was a lost week in some ways. In others? I now know my neighbors. We watched out for one another, making sure things were okay for each other. I had FIVE friends show up at my door, panicked because they could not reach me, worried I had fallen. I stayed six days with one of them and not ONCE did she complain. She gave me her room, so I did not have to use the stairs. I made dinner and brunch for a crew of our friends on night and one morning.  We played games. I read five books.

Friendships were deepened. Acquaintanceships were solidified.

I am home and never have been more grateful to be here. The management team had generators here by Friday morning, because it was to be cold Friday and Saturday nights. We did not know when we would be on the grid again. I know they all worked well into the evening all week, making sure all the tenants were okay. They listened patiently to tenants SCREAM at them to fix things... as if they could. They showed up every day, working in jackets, sometimes wearing gloves to work in the mornings. Their generators gave them power to work, but not for heat. I stopped in every day, as did two other of the FIVE HUNDRED tenants, to let them know we knew it was not their doing, to acknowledge that it must be a hard time for them, too. They were without power in their homes, too. Two women had to bring their children with them each day.

It has been a hard time, but not without its blessings.

I missed my connections in the blogging world. I missed my connections to friends who live far from me. I missed my studio and my beautiful paintings and photographs on my walls. Just things. But ALL my things are gifts. Every piece of pottery, every picture, every little doodad... gifts from friends, from my sister, my parents, or handed down bits of family history. I have bought very little--the couches, two chairs, two tables. I have antique oak chairs that were my great grandfather's, and my great great grandfather--the traveling quack-- I have his desk. A bit of cut glass from my sister's best friend's grandmother. A dish from my mother's mother.

I missed my things because they live with stories, with the richness of family ties. I see the people, not just the thing.

I am rich beyond measure. I am home.

I won't revise this. I don't particularly care about the quality of writing today. I write simply because I am filled with gratitude today. Never have I felt so keenly the joy of being home. Never have I been more aware of how UNalone I am in this world. I am poor when it comes to income, but that's all. It's NOTHING in the light of the last ten days.

I am home. And tonight I will curl up on my couch, writing and working on my book. And tomorrow I will begin the painting I had just taped down when the power went out. And I will look online for images of snow on fall leaves... it was beautiful. To see yellow and flame maple leaves on snow... a once in a lifetime sight. Thank you Carl for the quick pic you sent!

Thank you all for reading what I write, and thank you to some in particular, who have reminded me that even in this "virtual" world, I am not alone. And I am not forgotten. Neither are all of you, as will be evident as I periodically blog hop to catch up on your lives.

I am such a lucky woman.

Headed to the Studio for a Bit ... Some Background Blogs in the Meantime

I actually am working on a book, and trying to figure out the thread of the focus. It won't be a litany of hurts, that's for sure; it won't be Pollyanna Grows Up In Hell but is GLAD,  either. I'm not good at perky. I think that essentially it is The Prince of Tides without the tiger. And it may be that I wind up having to fictionalize, for the sake of some innocent relatives, and, well because the sociopath is alive. Then, too, that might be kind of fun. While I would love to write a memoir, it might be that to talk about my personal journey, it should be fictionalized; to talk about my mom, however, might be something I could tackle. We'll see.

Regardless, painting dreams seem to be taking over for now, and it's time I paid attention. Often the two forms--writing and painting--feed off one another.

But I've been so lucky to get about thirty new followers in a short time, and some of my entries might make more sense if you look at earlier ones. They might illustrate more of who I am.

I dance on the edges of things, skating the curve between the yin and the yang, the dark and the light, where life and death touch. But the only way I survived all the pain was to cling to the beauty and try to let go of the horror, swinging toward that rainbow on these slender vines of whatever beauty I could see. Sometimes they broke. Sometimes they took me to somewhere safe for a time. Sometimes they took me directly into a pile of ... not good stuff.  I have lived between the extremes, but early on, it taught me to live BY extremes. Too much so often. 'Matt' once told me, "Your love, our love, this love between us was so big it scared me to death. You scared me to death. I had to run away."

SO... I did my best to kill myself off by inches in my twenties, until my broken back saved my life. It was a real, tangible problem to fight, to overcome, to conquer, instead of demons just out of my reach. And conquer it I did, for twenty years longer than they gave me to live or to walk, so far. T I'm here. I walk. I stand. But mostly, I live. And as I have said in previous comments, I use the elves and fairies, the wildflower days and the Lake, the beauty and laughter of Christmas, to cut the demons down.

Blog Entries for While I am Painting, not Writing--for those of you who are so inclined
For any of you newer followers who are interested, I've included some early entries--Losing Dad was the latest and about nine of you were around then, perhaps. I did not remember a thing about the abuse and violence until I lost my dad--Losing dad, finding therapy .  This entry talks about him in a little more depth than the Slayer of Monsters under My Bed.

I could not really start the process of having the distance to write about it all until after my  mom died. I was far too closely entwined with her, her struggles, her failures, her victory. HER life story. (Hence, I am kicking around tackling a memoir that focuses on her and on our relationship.) I could not separate myself properly. I include the following entry, which shows most clearly so far, the wide swings of feelings about her.
Losing Mom, finding my way

When I had lost both parents, then I opened up and began to write about it all, a bit at a time. But I let no one see. I let very few in that deeply even in talking. It took years to truly have it lose the power to  hurt me. But I had my breakthroughs, and life changed. I got new tools to use to actually enjoy pastels in life. Grays even. Balance without boredom was a brand new concept to me at 37, after she died.

I think one such breakthrough came when I stopped blaming Mom for everything, that was a huge step.
Underlying Premise--I cannot blame my mother, dammit.


This next is the beginning of it for me, and it is pretty horrifying, I think... Where the terror and the sociopath were born, but also where the love was born. This was the one story that made my therapist cry, but it is pivotal to the gift I was given to cope, through the Robin Hood Days, and through the days of jumping at the too small sounds in the night, when my other brother came.  Bear in mind I was perhaps a year and a half older than the me in the picture of my window box elves entry -- three and a half!  I don't know that I had more than two followers when I wrote this one. Grace by Any Other Name

I blocked the incident out entirely until I was about 36, just as I did the sessions with Jack, and the rape that made me start carrying a steak knife to my room at night. No one ever said a word about the knife, a small fact that makes me wonder still. I never tried to hide it. In fact, if Jim was in the living room, I made sure it was very visible... Still, my memories were only of elves, until my father died, and Pandora's box flew open, and the demons were let loose for good.

Out of that little bitty girl came a solution for most traumas, most pain. Love. Agape, not emotion so much as the gift. The gift of love.

It was what I used over and over before each of my nine back operations--I would say the names of the people I love, over and over and over -- it was far more powerful than thinking of people who loved me. After all, who would love a woman like me anyway? They all left so fast, and it was so very hard to believe back then that there was anything in me to love ... But there was nothing hard about my naming the ones that I loved, whether or not they loved me back. It helped me get through many situations which scared me.  Cover the fear with love

Funny thing is, most of those people DID love me back, and have loved me ever since.  It kept coming as a shock when these women united so often, catching me before I hit the ground, over and over again. The Women

 ***
I think losing my daughter in 1994, just two years after her father left, broke the final dam of some sort of resistance to share my core with others. I did not think anything could ever be worse than this. (That will undoubtedly be an entry one day--one of the most bizarre experiences, aside from the worst moment of my adult life. Hearing that she was dead.) I moved to Pennsylvania six months later, learned to paint, and simply breathed. Between 1987 and 1994 I lost both my parents, had my  ninth back surgery, went through psychotherapy for post traumatic stress, bought a house with my sister, had both kids leave for college, had my husband leave me for his student teacher who was Jessie's age, and finally lost my daughter.

When I wrote the poem to her in 2005 that is in the next entry, I had lost three best friends and my nephew and my brother as well. I was worn out from  losing people and starting over, but I also knew I was going to lose my sister, too (I wrote about her in January of this year). (From 2000-2006 I lost my minister -- and dear friend--to suicide, two close friends, my nephew who hanged himself, my brother and finally my sister. I was kinda tired. And I was losing my ability to walk. I was starting over for the sixth time in my adult life, I felt.)

This is just a bit of a tribute to my love for my Jessica. She is inextricably entwined in my path to wanting to write again, in wanting to fly if I cannot walk. My Jess

That's enough of the hard stuff. I understand if you don't want to read any of those. I am so grateful for the support you all give me in writing, in letting me know that you don't think it a crazy idea for me to write a book.  Of course, I'd have to write it anyway, because writing is what I do.  I could not stop it, one way or another, if I tried. Like breathing. Like praying, singing, painting.  Like loving. So if I write a book no one wants to publish or read,  I'll keep writing anyway.

If I do not just go down into my studio and get started on those paintings, I will lose my brain altogether, howver. I thought I could create a schedule where I would, oh, paint in the morning, write in the afternoon. Nope. I'll do both in spurts... but as long as I do one or the other every day, then it's fine.

Okay, for those of you newer followers who don't really want to just read the heavy stuff about me, I have other entries that show something else!

NOW About Fairies or Faeries, and other Kinds of Magic
What More you Really Should Oughta Know
For those of you who want the silly and the magic,  Birthing Fairies: the Honest Truth, not the Fake truth    is self-explanatory. Some of you may have not had this in your education and if you have small children or grandchildren, you might need to pay attention to this factual account. Jo over at Majority of Two can corroborate that this is how they are born. She found this out in Canada, so it isn't just me.

Beyond the magic of my mother, I was also given our summers. Huckleberina Finn is a sample of that. Then of course, there was Christmas....

Those three entries are some of the shiny parts of my life.Hence my comparison of my family environment as a rain forest: lush or rotting, with little in between.

As for me, one of the pictures I've dreamed is birthing fairies... a spot on the lake that shines so clear for me still. I finally think I know how to get what I want on paper--the overbright sparkles that get larger as they come to shore. We'll see. And I finally have the right fish for my coral painting... and--Well. I just have to paint is all.

I can't walk away for two months again. Undoubtedly new things to write will start nagging at me softly, then louder I will have to come back and finish them, if only to shut them up. Do you find that, too? That a work of art yells at you to get over there and DO it? That a  story weaves into your dreams and mucks them all up ? Or paintings arrive unannounced and fully blown?

Sometimes the muse is downright rude. Oh. And I've recently begun to write music for the Thursday night group of which I am a part. I never wrote music before in my life. THAT is calling to.

But the thing is? Now I am free. Free of the house that was too much for me, of having to consider anyone else in my days. I am free to fly. And that's WAY easier than walking. My friends dubbed me the Phoenix. I like that, as I said. It's mythical enough, and I am slowly working on a painting of that. Each feather is being cut individually. I work on it when I DO feel weak, when I feel that I cannot take any more pain or loss, or have one more hope placed in my hand to look at and cherish, only to have it taken away and thrown beyond my reach the moment I believe. I mean, really. Who doesn't want to be the center of her own myth? It can be useful when the darkness visits.

The demons rarely stay for long any more. And when the fires come, I FLY. Fly straight up and free.

I'll be back in a couple of weeks, but I will be following your blogs. It's how I start and end most days.

Then, too, I may be back writing sooner if new entries interfere with my dreams and then start yarping loudly at me as the paintings did!

In the meantime, as Carl would say, keep makin' art. I am so very lucky to have made blogging friends here... and I think it all started with Carl at Artistic Balance and Jo at Majority of Two.  And built from there.  If the blogs I follow are not familiar to you, I'd also suggest you root around among them, and give some a try! I know that reading such fine words and seeing such beautiful words  have made me think more, feel more deeply--and have lifted my spirits when I needed it.

Robin Hood and Maid Marion: and All My World Grew Still

Be prepared. This memoir draft is neither funny nor light.   It was difficult to write, and my guess is that it will be difficult to read. I understand if anyone chooses to wait instead for Runaways to Red Bank III, which I will put online in a couple of days! Thank you, all of you, who somehow keep choosing to read what's uncomfortable.

It is my story, and I have to be able to write "ugly," as I used to say when I could not write anything that was darker than  Anne of Green Gables meets Pollyanna. As always, though, the power for me lies in the beauty, the beautiful power of my brother Jack in the face of evil. And the power of a little girl's love.

My brother's and my journey together is in bits and pieces of other blogs, but primarily in  Approaching the Pain, Keeping the Love  --  "I move to Robin Hood" well down, across from my Blog list.  That entry holds pieces that can shed light on more about our years between childhood and his end.

 'Tis I, Robin Hood!

When I was three, my brother Jack got a Robin Hood outfit. My mom and Jean Ellen made me a Maid Marion cape with genuine fake diamonds all along the bottom. Together, he and I would listen to our Robin Hood records with the books. You turned the page when Friar Tuck sang. Then we would run into the front yard where the ancient ... magic tree with roots that were above the ground, not just below it, stood.

We had adventures. Sometimes I got to be Friar Tuck or one of the Merry Band, but mostly I was Maid Marion. She was not a wimp, so I got to ride away with my Robin Hood to foil another plot of the bad Sheriff of Nottingham. We had sacks of acorns from the woods to throw to the poor in the village below (our neighbor's three horses in a corral).  We smite the mighty smoke-belching Tractor Dragon one evening, sneaking out of the house just before bedtime.


Just as we were about to revel in victory, "John Harvey and Jeannette Louise, YOU GET HOME NOW!" My father's voice could be heard three towns away, we thought.

A typical ending of our days -- mostly running home.

I followed him like a puppy, and not once in my memory did he shoo me away.

I had the measles when I was four, right after we moved, and nearly died of kidney failure and double pneumonia. Jacky was by  my side more often than not.  A head would pop in my door.  "Tis I, Robeen Hoooood!" he would cry, and bow before his lady in her room-darkened bed.

"You sound like an owl, not a hero," I'd say. And he would wing around the room "Hoooooooting" for me, making me laugh. Then I would start to cough and he would stop, a study in worry. He would sit on the side of my bed and  hold my hand, stroke my forehead. I was deathly ill, but I don't remember that; I remember how kind everyone was, especially Jacky.

"Jetty, get better, now," he'd whisper.  "We have to build that city for my trains, remember? You promised. You know I stink at making the trees and all the little stuff right.  I just break everything. I need you." That was the thing, you know; Jacky needed me. I got better.

Our dragon-slaying days had ended, though; we had a greater fight.


The Monster who Lived in our House
Our older brother Jim was the Sheriff of Nottingham. I will never know how Robin Hood truly fared in the tower he shared with Jim. I had Princess Jean Ellen in mine; he had Jim. I was protected until she left the house when I was in third grade, at least at night. But daytime was a different story long before she went away. The Princess was seldom home in the afternoon...


Sometimes the queen fell into a deep, deep slumber, with her royal glass of amber on the table by her throne. Worse still, sometimes she went on royal errands and left the Sheriff in charge. Those days Jack's call held urgency, "Jetty run and hide! He's coming!" Wherever I was in the house I ran like hell for my daddy's bedroom closet. The back had a slanted floor for the bathroom plumbing, but there was a little ledge at the top. I could just crawl behind Daddy's Old Spice clothing and tuck myself in tight, wrapped in a sports jacket, and simply wait. To wait and wait where no one ever came.

I would hear the muffled cries, the sounds of a chair scraped over wood. Other sounds. The laugh, a barrage of staccato explosions. I tried to cover my ears. There were other sounds I could not name. I would wait in the safety of my father-smelling dark. I would wait. Wait for the only sound I wanted to know.

"Maid Marion, the Sheriff has gone!"

Out I would fly to Robin, to my brothers' room. I'd look out the bathroom window first, making sure the sheriff was headed down the road, whistling usually. Then I would go to the boy in a chair, just a boy no more than six or seven, tied up and silent, with dark eyes and long lashes heavy from trapped tears.  I would untie his hands and let him be, while I fetched the cotton balls, the iodine, and held a facecloth under the cold water.  I did not rush. Robin Hood did not want me to see him cry. Heroes are like that.

Our ritual was silent. Full. Maid Marion dressed the tiny wounds, and turned the dampened, cold cloth on his forehead.  I would kiss the places where blood was drawn, but there never were many. The sheriff grew quite skilled at leaving no marks beyond pin pricks all over his skin.  He hurt the places that never showed; it was a mission for him.

Sometimes Jim found me, but only when Jacky was not there. Besides which, Jim preferred to find me at night...

And the reign of terror did not end until I was in seventh grade, and Jim moved out for good.

Those years held too much darkness, and so I learned to forget; to forget all but the fairy tale, to forget the reasons my brother's light simply dimmed, and finally went out. I became expert at forgetting the moment something happened, keeping only what I chose. And yet, somehow we know. I began to remember in 1987, after my father died. I wrote this poem after waking from a "nightmare," however, in 1980.

Brotherssong

A hole fills my heart where a childhood should breathe

 and a blood-dripping moon floods my dreams.

The bats start flying

In the house of my death and the songs of my night spin to screams.

There's a blank at the table where my brother's face should feed;

 his hands in my night sprout to claws.

Then the bats start biting while my brother grins on

while the moon drips blood from his jaws.

A newspaper breathes where my father's face should see,

a dead wind rattles at the door.

While the bats bite deeper and my other brother screams

the half moon's bleeding on the floor.

There's a dead mouse in the dark where my other brother cries

and Mother grows drunk on the tears.

While my father keeps reading and my brother grins on,

while my other brother withers with the years.

Too Soon Gone...
He was only 50 and I was not yet 48.  His son, John, had hanged himself in February and I had not seen Jack for several months when I saw him at the cemetery.  He had aged at least a decade and could not walk without a cane. Jack seemed shorter, smaller entirely and his hair and beard were white now. But he eyes were there, the eyes that got to me always, darker brown than the deepest wood, with thick long lashes that made them stand out all the more. And they were so very large and lost that day.

He was surrounded, though, by teenagers. Teenagers with piercings and tatoos. Teenagers with pink hair, purple hair, no hair, black hair. Punked out, gangsta'd, of all types. So sweet, so tender to him. When they found out I was the baby sister of his stories they surrounded me and I saw what the real Jack's life was all about. I will not take away from the love for his children, but in the love Jack gave these emotionally bereft, hurt, abandoned, throw away children, I saw that Robin Hood lived for them. And they loved him back. His colleagues knew me, too. I was surprised, since I had been non-existent in his adult life.

When I walked to him, he opened his arms, but when he held me, I knew Jack was leaning on me, this time. And he was as nothing in my arms. I pulled away a moment, looking him straight in those grief-haunted eyes. "You're dying," was all I said.

"I'll call you," was all he said. But I knew.

His liver was shot and the only answer was a liver transplant. This was now April and he was at my  house. It was late. His visits were always at night. His banjo was in his hands, because it was easier for him to talk that way.

"Why don't we test mine?" I asked.  "Jean Ellen's not a possibility because of her diabetes, but I don't have diabetes."

He smiled and reached his hand out as Daddy had always done, stroking a wandering strand near my face. "No. Not a possibility. You need your liver."

"I KNOW THAT, But they can take just a lobe and--"

"NO, Jetty. NO." His voice was harsh. "No. Don't you get it? I told you. I'm not going to stop drinking. I'm not a candidate for a transplant. I don't care what they do for celebrities. It's wrong. I did this to myself and I know it. Just the way Mom did, I did this. And I have NO desire to stop drinking." He stopped a moment, and registered that I was shaking. He took my hand, again with the familiar Daddy gentleness. "Jetty, the fact is, I really don't much care about living. I've had to retire. My back is worse and pretty soon I won't be able to walk at all. I won't be able to take care of my family; they'd have to take care of me. Jetty, you gotta let me go."

And it just burst out of me, "But, Jacky, I just got you BACK!"

And we cried ...

In May, he was admitted to intensive care, where he stayed for the next two weeks. He could not run away from me. I was editing catalogs for Northeastern University at the time, and Jack's wife was still teaching, as were all his friends. So during the day I got to see him. The first day he could still talk a little and he said he' would never go home. I saw tubes coming out of him in all directions. I knew what came next. The hepatic coma, where he could sense everything done to him, but would not be able to speak, where he might come in and out of it, but would slowly become someone who did not resemble himself. I knew the swelling in the feet, then the hands. I knew, I knew, I knew.

I said, "But why do you have to be hooked up? Why can't you just GO, Jacky?" I was sobbing. I was useless to him like this. He looked wildly at me, but speech was so hard for him.

I heard "Family" and I realized. I held his hand and said I was sorry at least a dozen times. I told him I understood and would never mention it again. I promised. He was letting his family prepare; he would let his wife pick the time. It was his last act of love--an overwhelmingly selfless act of love. We both became calm and we simply held hands in silence.

I asked whether I could come back every day and work beside his bed, if I promised not to be maudlin. Jack usually disliked company in the hospital. I awaited the answer. His eyes filled with tears and I felt him squeeze my hand. He nodded. He did not stop nodding for the longest time.

Maid Marion's Turn to Rescue
The ritual became a staple for his longest days. I would get there at about 11, after the cleaning and the poking and the prodding were done. By then there was a tube down his mouth and he was on total life support. The sound of the respirator gave us privacy. I was given permission to untie him every day for the durations of my visits. His hands danced, just as Mommy's had, only they grabbed at the wires and the tubes--randomly, not with purpose. They grabbed at the sheets resting against over-sensitive legs. I knew what to do. I was more experienced than they knew. I would create a tent of the sheet over his legs, so they would not touch the calves, so swollen and mottled purple now. I combed his hair as HE liked it, so the follicles could rest from over-stimulation.

Sometimes he got angry, because I had to grab his hands to keep him from pulling out the wires or tubes and his angry eyes were like Rasputin's.  My eyes would fill; I couldn't help it. Robin Hood NEVER looked at Marion so.

I had to raise my voice to reach through this lightest of comas. I don't know why they even called it a coma, but it really doesn't matter. He had slipped into it before his mind was gone, so I could bring him back just enough, at times. "YOU HAVE to STAY ALIVE, JACK. You promised yourself. JACK. I have to keep your hands from dancing there, dance them over here!" And I would point to somewhere safe.

And suddenly, after what seemed like hour-long seconds, something would click and the eyes would soften. On the two occasions when he reallized he'd hit at me, he started to cry and I had to get him to stop by threatening to sing "Muskrat Love" to him.

Gradually the eyes would soften, the hands would drop to rest at his sides, and usually by noon he was thoroughly relaxed. I would sing softly, the songs we both knew, while I'd work for an hour or so. By around 1:00, he would drift into what looked like sleep, and I'd stay awhile longer, watching him when he looked comfortably at rest. When he could not see me cry.

The nurses saw, and would usually come over in another fifteen minutes or so and ease me out of the room so they could do their afternoon care. It was all right then, because I knew his family would be there by 3:00. They did not know I came every day.

I was his only visitor. And all I could give him were those minutes when his hands were free.

Singing Our Way Home
The day came at last; the nurse told me that his wife had made the call that morning. She had asked that they wait until after she had visited at dinner time.  I asked how that could work so he would die alone, and the nurse said they expected he would be able to breathe for a little while but that the effort would be too much for him within a few hours at most. I didn't get it; I didn't have to. But I knew it would be the last day.

He was looking for me and I asked him if he would like me to sing the entire Wildflowers album. He blinked and his eyes seemed to smile. I untied his hands, but he seemed almost present there that day.
I began to sing and forgot to sing softly; a nurse came in and I began to apologize.

"No,  no," she said. "May we open the curtain a little longer, so we can hear?" It made me shy a moment, but Jacky took my hand.

I knew it all by heart. We had so many songs and I could hear his guitar in my heart as I sang. He began to drift away it seemed, but, well, I AM his baby sister. I got to "The Sisters of Mercy" and deliberately botched the words and his eyes flew open, glaring at me.

I know my grin was evil. "Oh. Gee. Let me see. Squeeze my  hand once, for Jetty I love you so. Twice for  you colossal little bitch." Two squeezes and all was right with the world; I finished the album without further incident.

By the end, I knew he was resting, and I sang my final song, changing the words just a little. James Taylor's Close Your Eyes. I often sang that to him. Only this time I ended with my own reprise,
"Darlin' close your eyes.
You know ... I'll always love you."

I got up to go, but he grabbed me and squeezed my hand just once. I kissed him and left.

***
His wife called me at 11 and said he was going and I could go to the hospital if I wanted. I took off. I raced to the hospital, but I was too late. No, I probably was exactly on time for Jack. The doctor was removing the stethoscope and the monitor was turned off. His eyes were open.

I shooed them out and said, "Let me do this." Both had seen me before and the nurse touched my shoulder gently as she left. I slowly removed the restraints for the last time.

"Robin Hood. It's Maid Marion. Sheriff Nottingham's gone for good and no one will tie you up ever again."  I smoothed his johnny and washed each hand, then gently crossed them over the sheet I tucked it around him, as if he were sleeping.

And I began to sing "Close Your Eyes" again. I heard a gasp from somewhere nearby, but I kept going. It got so quiet. I brushed his hair as I sang. His silky, pure white hair .. and I combed his beard. Robin Hood lay there so very still. And I finally got there,
"So I'll close your eyes
'll just close your eyes, cause it's all right. 
I'll sing you this last love song. 
But I won't sing the blues any more. 
Cause we have sung our songs. 
And I'll still sing your songs, now you're gone. 
I've closed your eyes. 
You know I'll always love you."

As I walked to my car, making this one last trip, all I could think was this:
Robin Hood slept; Marion wept. Now all the world is still.

Woo Hoo -- My New Life Has Begun

I am in my apartment and, just yesterday, got my studio/guest room fully functional and set up so that it looks like home to me! This entry will be short because I want to go downstairs to the space and select the two paintings that I want to finish first, then unpack my paints, tissue papers, glue, and lace papers.

Then I want to paint. I want to officially begin my next phase of life. And I will put out one blank 400lb sheet of smooth paper. I will start the painting I dreamed the other night.

Moving was harder than I expected; leaving my home of twenty-one years a little more emotional, as well. Everything takes longer than I want because I over-estimate what I can do in a day. At first, this was upsetting to me, as well as frustrating. I am an instant-gratification kind of woman more often than I would wish. Last week, however, I finally got it through my noggin that there is no rush; rushing is antithetical to my goals, in fact.

My back is what it is, and I must learn to accommodate what I must, and to push judiciously. Judiciously is not a word with which I have more than a passing acquaintance ...

Art cannot be rushed; it is created in its own time, but completed with perseverence and often with quiet patience. The frantic, tortured soul who works frenetically through the night is not the model that has ever worked for me. I do my best work when I am calm and content, in fact.

That feeling came over me about the fifth night I was here. I realized I was home. I was where I had been aiming to be; I was at peace all the way through, for the first time in several years. I knew that it didn't matter how quickly I completely unpacked; it would be fine if I took a day here and there simply to rest and to be.

So. It is nearing 6:00 a.m. I shall go put the coffee on and make myself a lovely breakfast. I will take my hour to allow my body to adjust to gravity and being semi-upright, and to welcome the day. Then I will paint.

Whatever else I'm supposed to do with my day will present itself as I go along. I am a lucky woman, and I am happy. Truly happy. And at long last, all the disparate parts of me are gathered together and on the same schedule with me, on this new path, in my new home.

Fortunate indeed.

Weeding to the Music of Lilacs

"In the right light, at the right time, everything is extraordinary." Aaron Rose

This quote was used as part of Pauline's Writing Down the Words: January 28 entry   That particular quote made me remember the role that gardening has played in so much of my healing time of the last twenty years, the years of home ownership, and visiting without words.And it reminded me of the extraordinary friendships forged around ordinary routines.

When I was in my twenties I did a great deal of visiting over toddlers and folding laundry.  I was single; my friends were not.  (See   "Laundry Eagles"  for an understanding of what I mean.) I was a thoroughly obnoxious sort of friend. I'd watch their children for an hour or two when they had errands to run, hang around to help unload the groceries, the laundry, whatever and, when the little ones began to implode along around 3:00, I would smile so sweetly and say, "Ha ha ha, ha HA HA, I think I'll go HOME now." They all threatened me with much future suffering, but continued to allow me into their homes nonetheless. NOt only that, they fed me, listened to me, and held me close when my heart was broken and my body followed. 

During that decade we visited with talking. Endlessly deep, profound and mundane conversations over coffee, stolen lunches out, when one child or another invariably slumped into her soup, sound asleep. When my parents went off on vacation, I would overrun their home and entertain the lot of them, husbands, wives AND children. I would make some Julia Child wonder of a meal, insist on no help and have everyone at the table together. The children would be bundled en mass onto my parents' bed, and the adults had hours to laugh, watch bad t.v. and discuss everything from politics to the dangers of the new something on the horizon called "Total phone" and the clunkiness of mobile phones. The best night was watching the Miss America Pageant and feigning disagreement over whether or not Miss Oklahoma's singing "I am Woman" while dressed in a ridiculously frilly apron and riding a tricycle  trumped Miss Nebraska's attempt to sing "Send in the Clowns" while dressed as Bozo. I had served coq au vin with a magnicient four layer Boston Cream Pie (Made entirely from scratch) and flopped onto the couch, saying, "Someone peel me a grape." I was ignored.


Ten minutes later Andrea appeared with my mother's hexagonal  silver tray with one peeled grape in its center.


It's the little things.

But our friendships were loud.  We danced and had parties. We lounged by the pool, watching with one eye, the endless games of Marco Polo as toddlers grew to double digit children.  I was the neighborhood silly mobile aunt. I loved it. I knew I should not have children with the back I'd been dealt. I did not have my first surgery until I was twenty-eight. I was diagnosed with severe problems at just 23. So I exercised like a fiend to avoid surgery. I did weights when it was not fashionable, and tried the weights machines, only to find that it made a difference that they were designed for men. I hurt myself. My PT guy said I was the only woman he'd ever met who overdid it in the pool to the point of injury. 

What's this nonsense anyway about moderation being good? BULL.

I dreamed big. I Mean BIG. I would write the best novel ever and Oprah would have me on. I would be "Discovered" at a poetry reading by Coventry Lake. I would go to grad school and become an expert on Adult Learning, and write the definitive light reading books for adults--compelling and interesting, not glorified kids' books. So many dreams.  My friends had them, too, and they were not so big.  How was it, then, that my friend who spoke English as her second language got her masters in international accounting, and another became a nationally known and respected program director for Public Broadcasting, and another went to law school at thirty?  I talked about the big dreams, and so did they, but when it came down to it, after all the talking and laughing and sharing, in my thirties I watched the others run after their dreams while I spent five years in hospitals, raising half-grown children in between the four to six-week stints?  I felt my life slipping away, I thought.  The noise seemed to die down, but not the chaos.  

I did not lose these friends at all. On the contrary, I was the stay-at-home mom for my daughter's best friend. I was the one who would suddenly show up at whichever home "the gang was hangin" with a tray full of Slurpees® and a bright smile. As my son said, "It was impossible to, like, be that mad. I mean, you didn't stay. You sat down and you asked us about our days, brought the drinks and sometimes cookies and smiled and then left after fifteen minutes. And come back later because you forgot your wallet or something. You always forgot something."

I would smile at his recollection and then he'd say, "DAMN. You didn't forget, huh. But we NEVER knew if you'd come."

"Exactly."

The life was mundane and my pleasures were tiny, mostly. An unexpected hug from my son.  Dinner time laughter that included Mark AND the kids.  And, of course, hanging out with my friends for cookouts. Still, mostly we talked. And, sad to say, mostly I envied them their marriages, their vacations, their big homes.  I felt that not only had I disappeared, but my family was not likely to move forward. Of course, it was my fault. I was disabled and brought in almost no money. I banked all of the kids', and used my own for necessities. I had no right to buy luxuries. The money was Mark's, not mine...

But somewhere along the line, I realized that I was not seeing my life. I had not held up the proper light to it.  Others seemed to see me as a success. (Not my family, of course. There, my Aunt Joy summed it up when they were dissecting me as if I were absent. Joy said, "Well, Jean, she IS a wonderful mother.  Let's give her that much.) My friends saw more, for which I am beyond grateful, but they told me I was either seeing myself and my life in a funny mirror, or I needed new light bulbs in my brain.

It began after the eight operation, when I was confined to bed because I had gotten up on my own to use the loo, and had lost my mind in a sea of blood in the bathroom.  It was a new procedure, trying to avoid my normal hematomas. The fourteen inch incision was sutured very loosely so the pressure would not build, and blood could escape in a controlled way, but I went into the bathroom and, well, the thing exploded, splattering blood all around me and I had a flashback. My first. Right there and then, blood on porcelain and I was gone to another place.  The sound. The sight. The fear. I remember nothing more.

I awoke tied to my bed, and life changed immediately. I did not then confront the flashback; it was too soon for that. Yet at last I knew that there was something to confront.  As I looked next to me at my drug-addicted, far older roommate, a woman whose husband would come into the hospital and say, "Why don't you simply DIE, Annie, and help us all out?"  .... as I looked at her, and looked back at my panic-stricken husband beside me, my life took on a new sheen.  Our marriage felt strong and real. And I remembered something about Jessie.
One day she had come home with a papier maché  daffodil from middle school art class. "I can't even show this to Mom or Dad. They'll laugh at it. I can't laugh at it. Jeannette, it's pathetic." Well, yes, it truly was. It had a stem the size of a Grecian column and a blossom the size of a thimble. It was lopsided and one leaf was fat and squat, the other tall and leaf-like. "She gave me a B out of pity and for the good leaf." There she stood, hair to her butt, one arm behind her back, the other holding this monstrosity toward me, eyes pleading for help.

"Well, Jess. I can't throw it out. My guess is you worked hard on it." Her tears were falling and she nodded. "I know, I'll put it on MY shelf in the closet and I'll think of you every day."  She brightened up enormously, but every time she saw it in the closet she'd come out and look at me, shaking her head. 

A couple of years later she said, "You really don't have to."

I always said, "I love it. Especially when I knock something near it and it falls on my head." She would laugh and kiss me.

But when the ceramic vase came home, lopsided and unevenly glazed, she begged me not to put in the living room. "No, REALLY Jeannette. You can't do it. There is nothing that you can make look okay in this. Nothing."

I'd said, "Trust me, honey. You wait." Jess ran into her room crying because she thought it would be humiliating.
I found some beautiful silk flowers and dried boughs of who knows what? I put it in the corner of the shelves, and you saw only the ruffled line of the lip of the shining forest green vase, and the curve of the base, and a profusion of delicate color, there in the center corner.  

She looked at it and began to tear up and smiled, "You made something beautiful out of something ugly. You always DO that for me." And she hugged me, holding on longer than I did,  and I was never as whole in my life. It was the sweetest compliment I'd ever known. An ordinary act of motherhood, I thought, seen through the eyes of an extraordinary child who did not know her power yet.

I lay in my hospital bed, tied down, thinking of her and a dozen other little sweet things that suddenly felt huge, and how I'd nearly blown up my marriage.  And I apologized for the billionth time for the pain I had caused Mark, only this time he looked at me and said simply, "I want you home. I want you not to hurt so much. I can't reach where your pain is, Jeannette. It's always out of reach."

But he kissed it away just the same and I remember it as a series of the best kisses of our marriage.

Something changed.  I was thirty-five and was about to learn the heaviest of life's lessons, but I began to listen to silence and look harder at the small things of my life. I stopped paying so damned much attention on the big successes of my friends, and looked at my small successes. I could stand when they told me I'd fall down. I was not an addict.  And I was determined to stand STRAIGHT. I was able to do the laundry within two weeks, and for the first time in three years—I started dancing around like Rocky for the accomplishment. There, with no one to hear or see the mountain I had climbed, I danced. 

Sometimes simply tying one's shoes is an extraordinary act. That's what I was showing Dad--that I could tie my shoes--while quietly and slowly the subject drifted away.  I was always quiet with him toward the end.  Noise confused him. But because I was happy to simply BE with him, I had the opportunity to meet the man behind the FATHER, even more than when we'd commuted together. He gave me the journal of his last months, a revelation of pain, selfish arrogance and humble regrets.  Anyway, on this particular day, I'd told him how hard it had been to learn to do and how much  harder it was to appreciate an act I'd done thousands of times, and he nodded. Then he said,  "I've sung Ah Sweet Mystery of LIfe at Last I've Found Thee easily a thousand times. Why did I have to be dying to listen to the words? Love was next to me all my life, sweetie. Don't be like me. Mark hurt you. I know that. We know that. He isn't the man we thought he was. Dear, you can do anything. Listen to your words when you sing them. Listen to your life as you live it. Listen. I never listened."  There were many small moments with them both, while they were consciously preparing to go. I'll save them for another time, but when they were gone, and we had bought our house, I began to garden.

The quietest thing I know, gardening. My friends gardened, too. Sometimes we would work together and say nothing, yet felt we had visited all the way through to our cores. Perhaps we had. We would be filthy, sweaty, make-up-less and aging. Yet sometimes I thought that Andrea was most beautiful with her hair unruly, her unmatching eyes glittering, her pale skin still shining from her sunblock. There seemed nothing ordinary to me about many of the flowers, especially peonies.

I mean really. Every peony is its own statement of life -- no, of LIFE, with flourishes of trumpet as well. Their coloring is as delicate as Dresden, but the flowers themselves? A subtle peony is an oxymoron.  I was weeding in my lilac island when I thought about that one very early morning.  I liked to weed when the sun still cast gold in the sky, there on the far side of my yard. 

I was laughing at myself because I love their showiness, revealed only through the  never-ending ordinary march of ants to soften their buds. Ants. What is more ordinary than an ant? The lilac island was my first garden, designed, planted, dug with my own hands out of the twenty-year-old perfect turf. My mother's and sister's favorite flower is the lilac and, since Jean Ellen lived here, I wanted to have my first garden be for her and for Mom, whose soul I had clearly channeled, against my will I tell ya, against my will! (I loathed gardening as a child, as I stood by her holding the trowel, the watering can, and some worms to put in the holes. Worms, it appeared, were the key to every garden success. They were the best thing about it all, because the rest of gardening seemed the most boring thing in the world. Put in some nameless tiny green thing and when you were done? It looked like a limp clump of weed. And a clump of junk we had to be careful not to let the kick- soccer- foot- or baseball get into.)

So I chose four different lilac varieties, then found the Miss Kim, and realized that I could have a whole month  of lilac blooming with one of those, if they did not all bloom at once because of a hot spell. And I had to admit that subtlety had not been what I was going for here, either.  The double blossom shrub was nearly bent to the ground from the weight of the eight-inch long pregnant blossoms. 

That season we had had a hot spell, though, and I saw that every single bush was budded, from the doubles of the deepest violet bush to the white. None were in bloom, but they would be any moment. Oh, well. I shrugged and decided how beautiful our enormous vases would be with five shades of blooms, if only for a few days. 

I shook my head a moment because a decade before I had planted them too close together, and had actually put a peony plant in there, not realizing how big both got. A common mistake for new gardeners. Furthermore, lilac island across from an open field, so nameless horrid weeds invaded all the time, including the Chinese vine I SHALL NOT NAME. I call it KUJO, for the killer dog. I had just finished wrestling one 20-foot obsenity out by its roots from the very center of my "grove", and had removed, painfully, no fewer than EIGHT thistle plants when, as I unbent my body to breathe, I heard the rain. I looked up and the sky was blue with the barest hints of rose and gold on the horizon.I stood very, very still; stunned, in fact. Gentle rain engulfed me, yet all was dry. 

"A miracle?" I asked aloud.

No. An ordinary act of nature, the sound of lilacs blooming.

Clearly, though, I should have answered, "Yes."

Time, Memoir, and... I have absolutely NO clue what this is about!

I saw a Facebook thread which loosely talked about time. A friend said something to the effect that we might consider that the moment we experience as now holds many other moments in it. He was trying not to talk about past or future because thinking of time so linearly might not be the way to go. (Forgive me, David, if I have blown my paraphrase.)

I have no clue where his mind was running, but mine ran to memoir. To this blog and why I have schizophrenically included another. I may eliminate the blog, but fold the old entries into this. I am not sure. I was trying, at one point, to figure out where my past could end and my next path start--as if they were separate in any way! In fact, I think the point of the memoirs I love the most blur any sense of time, really. One writes in terms of events, of experiences and growth. We blur the sequencing in memory and often the details. And, truly, does that make one iota's worth of difference? I don't think so. We try to preserve the broader truths, and the enormous truths contained in details, but few of those have much to do with linear time.

Before I remembered events from childhood, I clung to a myth and to a bogglingly detailed memory of each school year, what I learned, who my teachers were, what the weather was. I had no gaps of time, I thought, because I knew the chronologies, events that surrounded the big events. I could reconstruct things in every year. It was the way I could surround the terror with detail and tell myself that I had nothing more to remember.

The healing came when I wrote the rest of the time line, in truth. What I called "Time line of Terror: Time line of Grace." In fact, I had HUGE gaps and blanks. I remembered almost nothing that happened in my home except at Christmas for probably ten years of my life. The trivia found its level, like water, filling in the cracks. So I had to let go of my ridiculous chronology by writing a different sort of chronology. There were not years listed. I had experiences, eras of pain without dates attached. On the left were the punctuation marks of pain in my life, and it was chillingly long, I thought, as I began. In fact I would not and should not subject readers to such a lengthy mess, I thought.

On the right, however, was a list easily four times as long. For every single atrocity I made myself list the graces that got me through. THAT was and remains the sheer wonder of my life.

I remembered the people, the Christmases, the little kindnesses and overwhelming love of some. I remembered silly events that made me laugh. My list of graces took up four times the space, but in numbers? I think they outnumbered the terrors six or seven to one. To me, to this four-year-old and eight-year-old heart, the graces were as tiny as a feather I found on a beach. They required little explanation.

What has this to do with time? I think that when I let go of worrying about what happened when, when I let go of this fear that I misremembered things, that I was not journalistic enough, the real growth began. Like Louise, these other pains held the yin/yang of my life. At every turn we can choose light/love/feeding life or the Other, whatever that is. Sometimes, if you are as lucky as I, you are given markers, nudges toward that love and forget to even LOOK at the other part of our circle. That's the thing; at every turn someone or other pointed me toward beauty.

I live on the edges of things. I've said that before. In the old days, Olympic skaters had to do compulsory exercises, one of which involved skating an eight on one blade over and over and over, repeating that same line. I think I aim toward that line in the yin/yang sign. I think I see life that way, and experience my own life that way. I want to skate on that edge, leaning on the side of the blade toward wonder and the things that feed our lives.

When I hit fifty I tasted my first fresh fig. Rivaled the pluot, I must say. It's not the time, it's the alliteration ...  It's not my brother's foot on my tiny hand as I tried to protect a trapped mouse when I was four --the foot coming down on the hand, murdering a mouse. It was the choice presented like a gift to me, to guard future mice in traps so no foot would ever again end their days. I sat by the mice in the traps and I sang to them.  It doesn't matter what happened before or after--it's the experience and what that teeny girl drew on to cope. Love. A gift. A gift that has never left me.

When I finish my book, I want it to be about flying and wonder,  and my true goal is take my readers on a joyous, if somewhat terrifyingly beautiful flight with me. And I want it to be abundantly clear that none of us is strong all by ourselves. Those of us who survive the most appalling abuse, who have had to cope with pain and perhaps overcome many odds--to say we were just not quitters, or that we were somehow better than... I think that teaches nothing. It simply makes those who are floundering feel less than... as if we do not ALL flounder at times? Oops. Time. That word.

I was taught to look for the magic, to expect to find it everywhere. I was taught that love is a gift we give and may receive. It is not an emotion and we do not take it from someone. I was taught that the lessons were in the giving more than the receiving; in the receiving we found joy and laughter and wonder, sure. But to give the love when it was not easy? My parents believed that this was what made it love.

How do I say, then, that my parents are gone when their voices live so clearly in my heart and mind? Where does that past end, when its lessons still live? I named the pain Louise. That was easy. Embracing my mother was easier after my time line. Over and OVER, even when she was the terror, she was the grace as well.

And she still is. Jack, Jean Ellen, Jessie, Daddy, Mom, so many people not walking on this earth live inside of me. The years are meaningless. In the act of writing I don't let go of the past; I hug it to me and reveal its power. In these last few months, what I see is that I have let go of WANTING it to be "in the past." I let go of wishing I were someone else.

I don't; I would rather have had my own life than another's. I do not think things happen for a reason. I think the free will lies in whether or not we stand up and decide to use the horrors to create beauty or to enrich life, or whether we choose to hold onto our identity as ACOAs, or "Survivors" or something that sets us apart from all humanity, from this earth. We choose to continue on paths of self-destruction or bit by bit, we learn to choose life. But I don't think God or Anything in particular sends us pain, abuse, abandonment, loss, or even hurricanes for a reason. Whatever God is, or whatever Energy feeds and sustains life? It sends the magic and the joy to find ways to ride or even fly out of and above the rest. It's what allows us the capacity to be a phoenix.

Mind you, I have not arrived on that Tibeten Mountain Top there, with the great Zen masters. Not hardly. I'm simply thinking that past, future, where I'm going, how I thought of the future as "starting over," it's all bunk. I start over one way or another every day... don't you?

Memoir is self-involved, but somehow or other, the best ones have reached to all who read them. We search for what we all can share, regardless of the "niceness" of our families. We take our little teeny lives and find what resonates, we HOPE. That's the goal anyway. To find something beyond the littleness of ONE life, to touch and perhaps help or support or validate other lives.

Of course, then we can eat a pluot or a fig and simply live in the joy of juice running down our chin, and to HELL with reaching for anything more.

And if you can make sense of any of this ramble, you are "a better man than I am Gunga Din," as my mother used to say. It was fun to write it anyway!

***
This is unedited or reviewed stream of consciousness dribble. I just need to make writing my habit once again!

Flying into Dawn: Memories of My Sister

I've tried a dozen times to write about her, to capture her. What it was to have a sister who lived her life with on section of her soul in past lives, one part in this life, and one part in whatever came next.  She always expressed her spirituality in terms of our being on an eternal continuum, that this time here, now, was just a section along the way.  She'd have visceral feelings of déja vu, but talked about them to very few people.

She was seen as odd. Well, she WAS odd, and I've always felt that our world would be infinitely better with more odd souls like hers.  She was incapable of violence. Seriously incapable. As she said, had she ever been attacked, she doubted she'd have even put her hands up to protect herself. "I'm a vessel in this life; I have received gifts and lessons, then I pour them out in teaching and in my art. That is what I am. I do not understand all this talk about life being an 'adventure,' that we must all somehow go after things because they are a 'challenge.' I loathe those words. I do not care to be challenged. I want to do what I want to do, nothing more. And of course nothing less!"

She once took an Italian class with her best friend, in her twenties. I was in college at the time and she came to pick me up one Saturday. She often did that; come to rescue me on a Saturday morning and we'd go for "a drive." Once from Storrs, CT all the way to New Hampshire and back, just so we could walk on the beach on the island for a bit.

But this time, she was laughing because Nancy was furious with her. It seemed Jean Ellen had received a C+ on an exam and was happy with it. Nancy had studied for hours and hours for her A and could not understand why Jean Ellen had gone out dancing the night before.  Jean Ellen's response? "I am not taking this for certification or credit or pride. I simply want to be able to go to Italy and understand what they say and be understood. Nothing more. I don't care about the grade."

Nancy, apparently yelled at her and said, "How can you NOT want to do better than that? The professor even told you you could be the best in the class if you studied."

Jean Ellen looked at me and I smiled at her. I understood Nancy because I was more like that, but I knew my sister. "You have never cared about being the best in the class in your life."

"Right. It's an irrelevant argument to me."

"Now if the Professor had told you that the Italians will not want to TALK to you if you do this poorly---"

"I'd have given up the dancing. Grudgingly, however."

We once spent an entire drive making up swear words because we were bored with the old stand bys. We were headed to the Cape and on the other side of Providence, RI, I found the one. "BULL DROOL." Yup. That was our keeper of all of them. Unfortunately  my sister began to laugh so hard, she drove into a small ditch and it took ten minutes to get OUT.

By then, though, I was able to make her laugh at everything. I think I was about 25 and she was , then, 34. I turned to her and said, "You know, from now on, I bet I can say the word 'apple' to you in a certain tone and you will always laugh." She shrieked.

Two days before she died, she was feeling very sad and frustrated. She could no longer speak very easily, the tumors having spread higher in her central nervous system. A visitor had tried her patience to the point where I literally escorted the woman out the door and told her that she had to listen to ME about leaving and that she could come back once more if need be, but only to say good bye. The woman was furious because she felt my sister was "faking."

I sat on her bed, stroking her forehead, her tears rolling unrestricted... I dabbed them because she had long since lost the ability to use her hands.  I took her face in my hands and said, "Apple."

All was right in our world.

***
For my graduation present from college, Jean Ellen took me to Paris and Portugal for six weeks.  I had not flown since I was sixteen, but had slept through some of that.  Jean Ellen had us leave at night because she said I HAD to experience flying straight into dawn. I thought she was nuts, but was accustomed to her living on some sort of poetic edge I didn't understand.  We were drawing on the plane a lot. We often drew left-handed, just for practice, to free up the right brain. She taught me about asymmetry when I was seven.

"Which of these arrangements is more appealing?" she had asked, showing me a drawing of a wall with three equally sized drawings of flowers, and one with three differently sized drawings, arranged so there was balance. I immediately chose the one with the different sizes.

"Why?" she asked, a teacher then, at only sixteen.

"That one's boring. Blah. I like this one." She was pleased with her Jetty and said, "You are an artist, Jetty. You just don't know it."

We did a similar lesson with incomplete line and then she taught me to make paper doll clothes in pen and ink, using lessons of incomplete line, and observing how various fabrics draped and how folds REALLY look, that really there were very few straight lines when it came to people....

Anyway, so on the plane we played with our left hand drawings and were laughing, when suddenly she said, LOOK OUT THE WINDOW...

I had the window, in front of the wing and could see where we were going... We were flying into a pool of red, and there was a line in the sky between dark and light, between night and day and we jetted into dawn, just like that... I began to cry.

Jean Ellen said, "THIS is why I had to bring you. YOU are the only other friend I have who cries at flying into dawn."

Friend. I was my big sister's friend and nothing from then on would ever be the same.

We flew straight into dawn, and we took Paris by storm, these two odd sisters.  We drew with our feet when we were rained into the apartment one day. We spent three HOURS drawing with our feet.  We bought rabbit at the grocery store and brought it home to cook. It was sold in PARTS, so we didn't have to deal with it as an animal... we thought. But when we opened the package, its little HEAD was there, with teeth and ears. Jean Ellen covered its head with paper towels and quickly chopped it off and threw the head down the garbage shoot. We prepared it with garlic and seasonings and wine.  We had fresh vegetables and rice. We drank a bottle of wine before we even ate...

But we took one look at supper, at each other and went, "BUNNY." So much for that.

We sat at the Champs y Lysée (Sp--I'm lazy) and we sketched. I sketched an aging hooker, about fifty pounds overweight, with a ruffled hat and a tiny silk bag on a long ribbon, SKIPPING through the park. I wrote poetry and she sketched the gardens at a tiny restaurant across the street. We'd count the languages at the cafe outside the metro stop at La Place de la Concorde... We had affairs, each of us, with a different waiter at the local restaurant called Le Tahare, around the corner from our apartment.  The place was our uncle's, but he was in the states with his wife and daughter for the summer. Two young women for ONE MONTH in Paris. Then we flew to Portugal, northern Portugal. Viana do castello.  All the houses were limestone or marble, and there was a castle on the mountain that, at night, shone white, floating above the town.  We were the only American tourists there for the annual August holiday. The town was in a triangle between mountains, a river, and the sea. I sat the beach and everything was BACKWARDS because I faced west. I'd not been to California, just the East Coast.  A young man ran across town to get me my cigarettes and would not take a tip. One left tips in an envelope for everyone, at the end of one's stay.  The head waiter, wine steward, and hotel manager treated us to our last two days at the hotel because we had been so much fun. We'd been fun? I knew what it was to be a princess for that week.

We played. We walked. We drew. We spoke to everyone we met, especially shopkeepers and hotel help... they took us on little side trips to "nowhere," and my sister and I felt that no one had ever had such fun before, nor been treated so wonderfully. I can still see the castle, shining bright white against the mountain at night, floating over the equally shining town.

We left Lisbon during the socialist overthrow of the Portuguese government, an experience of its own, and finally boarded an old DC 10 cargo plane for home. The stuffing was coming out of the seats, but we were safe and boarded. All we could talk about was the magic, as we left the revolution behind.

And we flew home straight into night; still we felt our hearts leap nonetheless as the plane flew low over the coast and we saw the glittering ribbon that was home.

I do not know how to describe the sister who thought that the greatest gift of the second half of the twentieth century was her baby sister Jetty. I was beautiful to her, some sort of jewel that went unappreciated in the world. She did not understand how men could be so cruel to me... she felt it was that they couldn't bear someone so open and loving. I tended to think it was that I had bad taste and was stupid, but I Much preferred her take on it. She  mourned my  not pursuing art, but understood. In our family the cutthroat comparison factors made us avoid taking up another's interest. Daddy wrote. He, Jack, AND Jean Ellen were teachers. Mom was a math genius... so was I, but I hated math. Mom wanted me to go into that because she hadn't. Jack played guitar and banjo and clarinet.  I tried not to duplicate. Daddy sang in the Robert Shaw Chorale... So, while I could sing, paint, write, and play the piano... I avoided pursuing anything much. I was afraid. I blame no one but me. I saw how brutal Dad could be when performance was not perfection.  He never really appreciated my sister's worth because she was severely obese and he could not admit there was beauty there. LOTS of men could, but not Dad. And of course that hurt her.

But Jean Ellen and I found our balance with one another through most of our lives.  We were each other's number one fan. She was the sort of teacher who bothered to show up at a student's HOME when she feared the girl was suicidal. She was the kind of teacher who did not sleep until she had corrected her papers and made comments that were positive on every single one, even those who failed.  She started preparing for September on August first. "I have to find something new to do, even though it's the same curriculum. If I am stale, then it will be stale to my kids." She taught all out, with all of her soul, just as she drew and painted with nothing held back.

I learned all I know about letting myself live with every fiber of my being from her. She was not brave in the conventional sense... until it came time for her to leave.  She did not mourn that her life would end at sixty-two. She said, "I have done every single thing I ever wanted to do except go to Athens. EVERYTHING. I was an artist, a teacher, a big sister. I went to Paris six times. I went to England and Italy, to California, to the wild west. I made love and was loved. I have you as my sister and I've had you taking care of me these last years, no matter what. YOU have made sure I could stay here, where I wanted to be. My adventuress, my phoenix. I kept clipping your wings. When I go you will finally fly. Promise me you will fly."

The day she died I brought in all her favorite music--Harry Belafonte, and folk music. I kicked people out and told the nurses that she could not have anyone but me from then on. I sang to her, "Close your eyes." I stroked her head. She began to drown, though, along toward midnight. She choked. The nurses managed to get her cleared out a bit, but had gone down to get some horrible equipment for the next round. Jean Ellen, who was SO READY to go, was fighting for breath.

When the nurse left, I took her face in my hands and shouted, "LOOK AT ME!" Blue eyes wide and startled... My brown eyes hard and determined.

"They have gone to get some medieval atrocity to help you keep breathing. Jean Ellen. Remember? You want to go, so for God's sake, get the HELL OUT OF DODGE!"

The smile appeared. She breathed. She choked. She breathed in a long breath... and nothing happened...

My sister flew the hell out of Dodge, straight into morning...

The Nurse came in as I said, "Well, sure. FINE. Be that way." And I was closing her eyes. All she said was, "Well, you two are certainly related."

But when I looked into her eyes from my sister's, the smile flew away and she said, "I'm shutting the door for a few minutes, dear."

I sat with my sister and sang that song "Close your eyes, you can close your eyes, it's all right." I sang to her, as I had to my brother, just four years before. I rocked and I sang for the longest time, and I drew a pen and ink picture of flowers, all in a tumble, beautiful, overabundant, asymmetrical, with incomplete line. It began almost going OFF the sheet to the left, but the images became less complete, fading into white space to the right. She had come from someplace full, that she remembered and used to tell me about, and had filled my life and hers with more beauty than twelve sisters, then faded bit by bit before my eyes, two years before she died, moving away from me, from all of us, leaving this part of the continuum.  I drew and I sang and I cried because I could not see where she'd gone. Fading into white, a picture still being drawn by her, but incomplete for me... for me, left behind.


Before  I left the room for the people to take her away, all I could think to say was, "I'll fly into dawn, honey. If it takes me til I'm ninety, I promise. I'll fly."

I kissed her now closed eyes, put the portrait on her chest, and walked into my mourning.

At dawn.

My Gratitude List for Thanksgiving

• That I had the mother I had: her unconditional love, her intelligence, her imagination, her acceptance of my need to believe in all things magical, her passion for beauty.
• That I had the sister I had: her unconditional love, her patience and her desire to teach me about the beauty of asymmetry and the incomplete line, her devoted belief that I had talents beyond the ordinary, her faith in my strength, her grace in the face of so much criticism, her insatiable curiosity, and her unbelievable grace in the face of death.
• That I had my brother Jack: His protection of me no matter what from our brother, his acceptance of a baby sister who followed him everywhere, my best friend through high school and half of college, his beautiful and deep brown eyes, his ability to step forward and own his own mistakes two years before he died, his ability to refuse a liver because he knew his limitations--that he would destroy it through his drinking, and his grace and sweetness in his last two days when I was with him in the hospiatl.
• That I had my father: his passion for my mother despite his philandering, his love of his children--flawed yet palpable, how he insisted on shopping for Christmas to "even things out," His attitude that if money did not help people you loved what was the point, his belief in me as an artist--not a nine-to-fiver.
• That I had my son Jason and Jessica: though I never gave birth, I had all the joys of loving them, of working with them, of hearing their joys and sorrows. I could not love two children more. And I have a son who shows me every day that he is a loving, kind, gentle man.
• That I have friends full of talent, love, generosity of spirit, curiosity, and unbelievable strength.
• 
  That I have Adam and Claire, my friend Gail's children--they give me joy, even when I would like to smack them upside the head with a comfy pillow. They are loving, warm, sensitive and are funny enough to take their show on the road. And they have unique talents--Claire in art and Adam in music. It is a joy to watch them develop their abilities.
• That I have known what it is to love without reservation, regardless of the outcome.  I learned the lesssons from my mom and from my sister--to give love without expectation of return, and that we can use it as a reservoir of light upon which to draw for other things in life
• That I have learned that love given is never a waste, whether or not the gift is received well or discarded.  It has lessons of its own--EVERY kind of love--for children, parents, siblings, friends, and even lovers who leave. It is never wasted.  So I am grateful for those who have inspired me to love--every one. While it is so wonderful to be grateful for the love I have received in my life, perhaps we learn just as much from the ways in which we GIVE love, even when it is hardest, even when our lives are full of loss or pain

My sister will be the one of whom I will write soon. I think I have learned about giving love as much from her as from my  mom.

May God or whatever Spirit or Light one chooses to tap into. keep all who read my blog, anonymous or otherwise, safe and happy for this American Thanksgiving weekend.  Thanks for hanging in there with me. I'll be back.